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WHEN THE HEART KNOWS BETTER ~ An ESSAY on DESIRE and DIGNITY


 

WHEN THE HEART KNOWS BETTER 

~ 

An ESSAY on DESIRE and DIGNITY

 

 

 

EXAMPLE 1 

THE FEARLESS FLIRT AT THE FARMHOUSE

 

It was at a friend’s country house, a place of some rustic charm and much generous hospitality, that I found myself standing by the bar, engaged in the simple and civil task of pouring myself a glass of whiskey. No sooner had I done so than a young lady, with the lightness of one accustomed to both attention and the art of acquiring it, made her approach.

 

Her manner was as unguarded as it was bold; indeed, before I could so much as enquire her name, she presented me with a proposition—one of mutual indulgence, free of ceremony and, it seemed, expectation of refusal.

 

I confess I was rather taken aback—not by the novelty of the suggestion (for the world is ever abundant in such offers) but by the candour with which it was delivered. Exercising, I hope, both courtesy and kindness, I declined her invitation as politely as words would allow, and wished her a pleasant continuation of the evening, trusting that the festivities would furnish her with merrier company.

 

I had not taken more than a few steps when her voice, quick and inquisitive, reached me once more. She wished to know, rather pointedly, whether it was she, in particular, who had failed to meet with my approval. Under ordinary circumstances, I would have dismissed so trifling an enquiry without reply. Yet, given the setting—my friend’s house, her status as a guest, and the natural demands of good breeding—I turned back to face her and assured her, quite truthfully, that the matter was not one of her person at all.

 

“Is it you, then?” she asked, pausing to raise her glass, the question hanging lightly between us, neither fully spoken nor entirely concealed.

 

“I am afraid it is precisely that,” I replied with a nod, “it is about me.”

 

“Are you?” she enquired further, the meaning of her words cloaked in suggestion, though plain enough to the understanding.

 

Once more, I extended to her my sincere wishes for an enjoyable evening, and, without further ceremony, I took my leave.

 

EXAMPLE 2 

THE DIGITAL DELUSIONS OF MODERN COURTSHIP

 

A writer of my acquaintance, a man of both curiosity and craft, had come to visit from Bombay. He was, at the time, gathering material for a script — a study, so he claimed, of the temper and habits of modern youth. As part of his research, he had taken the rather unconventional but enterprising step of enlisting himself upon one of those now-fashionable digital marketplaces for romantic acquaintance, which I believe are commonly known as “dating sites.”

 

It was not long before the enterprise bore fruit, though perhaps not of the sort he had anticipated. The very first message he received was stripped of all preamble or pretence, and read — I quote him verbatim — “Hi, my parents not home for the night. Come, we’ll fuck.”

 

My friend, whose nature leans more toward the wry than the censorious, replied with as much composure as the situation allowed and enquired, not unreasonably, as to the young lady’s age. The answer arrived with the same disarming swiftness as the invitation: “I am 16, though I pose as 18.”

 

On another occasion, he was approached — or rather, electronically accosted — by a lady who, after showering him with the sort of extravagant praise modern self-advertisers often lavish upon strangers, proposed a meeting. When he suggested, with the quaintness of an older world, that perhaps they might first become better acquainted through conversation, she replied that she already knew him far better than he likely knew himself.

 

“My dear woman,” he wrote back, “and did you gather all this from the four lines of description I had so scantily provided?”

 

Her reply was as swift as it was self-assured: “Absolutely — just as you went weak in the knees for me, having seen nothing more than my sexy pictures.”

 

My friend recounted these episodes with great amusement, though beneath his laughter lay no small measure of sober reflection on the strange brand of narcissism and illusion that seems to have become the climate in which so many of the younger generation are now content to breathe.

 

Out of sheer mischief — and perhaps, I suspect, from the same scholarly curiosity that drives a naturalist to inspect the more exotic species — he resolved to meet this particular lady over coffee. The meeting was uneventful until, the coffee scarcely finished, she rather abruptly proposed they adjourn to her residence for what she plainly called “some fun.”

 

“But I had thought you professed not to be ‘that sort,’” he reminded her.

 

She giggled, rather like a schoolgirl who believes herself to have outwitted the master, and replied with devastating frankness: “You think we come online for conversation? Or to drink coffee with men? We join those sites only for sex.”

 

To underscore her point, she proceeded to make an unmistakable hand gesture — one which, though I shall not describe it here, left little doubt as to the nature of her proposition.

 

When my friend, exercising his usual self-command, politely declined, she cast one final dart: “You never mentioned on your profile that you were gay.”

 

At this, the absurdity of the entire encounter so overcame him that he burst into laughter — not the discreet, private chuckle of a man humoured by life’s oddities, but the deep, uncontainable kind that startled several nearby diners from their own conversations and left him, for a moment, the unwitting centrepiece of the room.

 

EXAMPLE 3

A PUBLIC DEBATE ON FIDELITY

 

Not long ago, while seated alone at a modest café, I found myself an unwilling audience to a conversation at the table beside mine — a conversation carried on with such volume and abandon that even the most disciplined ear could scarcely have avoided it. There sat two women and a man, their voices rising and falling with the unrestrained ease of those who mistake proximity for privacy.

 

The subject of their debate was, in essence, the age-old question of fidelity, though one suspects the term would have struck them as archaic, if not entirely foreign. One of the women, adopting the role of both tempter and philosopher, was endeavouring to persuade the young man that the marital vow need not stand in the way of what she coyly called “an affair.”

 

The man, for his part, appeared not wholly convinced — a refreshing, if fleeting, display of conscience. Time and again he offered the same quiet, almost plaintive protest: that he was, after all, married, and that such conduct would constitute a betrayal of his wife. But the woman, having armed herself with what passes in some circles for modern wisdom, countered with the assertion that human nature itself rendered such fidelity an unreasonable expectation, that no man was truly fashioned for monogamy, and that, in essence, the moral law ought to make accommodations for biology.

 

I could not help but notice — for their table was but a few feet from mine — that the man, though he listened, did little more than shake his head in quiet, persistent dissent.

 

Growing impatient with his obstinacy, the woman pressed the point with a bluntness that left little room for misinterpretation: “What is your problem, dear fellow? So long as you share your bed with your wife at night, and mine during the day, who need ever be the wiser, unless you choose to open your mouth?”

 

At this, the second woman — who until now had preserved a silence that might almost have suggested disapproval — chose at last to lend her voice to the chorus, adding with an air of worldly weariness: “She’s right, you know. Think of the variety. How long do you imagine you’ll remain content with the same woman? Sooner or later, the monotony will gnaw at you.”

 

The words, though crudely expressed, were not unfamiliar to me — the very same old argument, wrapped in the modern vocabulary of appetite and novelty, as though the pursuit of pleasure had ever been anything but monotonous in itself. I sat there, pondering not the brazenness of their talk (which the age, I fear, has taught us to expect) but the strange mixture of cynicism and credulity that could so easily persuade otherwise intelligent creatures to trade loyalty for mere distraction.

 

THE CRISIS OF CONTEMPORARY VALUES

 

These three episodes, modest though they may seem, serve as no more than the faintest reflection of the temper of our present-day society. It is difficult — perhaps even unwise — to pass a swift judgment upon such matters as being categorically right or wrong, for the age has grown so artful in blurring the lines between the two. Yet this much, at least, is certain: sex is not — and was never intended to be — the idle amusement or casual pastime it is so industriously advertised to be. It involves, invariably and inescapably, the entanglement of emotions and the engagement of human souls, not merely the mechanical coupling of bodies.

 

It is a singular marvel — or perhaps, more accurately, a singular tragedy — how every other printed page and every glowing screen now seems to busy itself with the overt dissection of sex: instructions on the “how,” speculations on the “what,” and an endless stream of opinions on the “why” and “with whom.” The imagery accompanying these lessons is so astoundingly explicit that it has, in a manner of speaking, burglarised the mystery that once graced the slow unfolding of courtship — the tender prelude before bodies intertwined not merely to gratify appetite, but to weave memories.

 

OF LABELS, IDENTITIES, AND THE BARKING OF DOGS

 

The word gay, too, has suffered a fate most curious. It has been stretched and strained, overused and over-applied, until it seems now to stand for everything and, thereby, nothing at all. Should a man or woman happen to be unmarried, the world wastes no time in concluding they must be homosexual. Should one, by some rare and commendable exercise of patience, refrain from flinging themselves into romantic entanglement for any notable length of time, society is quick to label them confused. If a marriage dissolves — and heaven knows how frequently that occurs in our age — the collective wisdom of the masses declares, with almost tiresome predictability, that one or the other party must have awoken one morning under the revelation that they were, in fact, gay, bisexual or fluid.

 

And if, by some old-fashioned stroke of integrity or self-respect, a man or woman declines the modern expectation of physical intimacy upon the very first meeting, the world, lacking any finer explanation, is content to stamp the label gay upon them — as though to abstain were itself an unnatural perversion.

 

In truth, the term has become little more than a hollow jest, a sort of social punctuation for conversations empty of understanding but full of noise. My advice, for what little it is worth, is that if you find yourself among those whom this idle speculation seeks to wound, you would do well to treat it as one treats the barking of village dogs at passing motorcars: the dogs may raise an awful racket, and expend their breath upon furious declarations, but the car — and indeed its passengers — remain untroubled, unmoved, and altogether indifferent to both the barking and the barkers.

 

THE TWISTING OF FEMINISM

 

Modern men, it would seem, are finding it increasingly difficult to adjust to the rather brazen forthrightness of the women of our age. The very same women who once lifted their voices against the injustices and oppressions imposed upon them by the male-dominated world, now appear — under the venerable and oft-abused banner of feminism — to have sworn themselves to unsettle the equilibrium of men’s lives. Much like the term homo, the word feminism has suffered from the modern malady of overuse and careless misapplication.

 

It was not, originally, a battle cry for domestic supremacy nor a license to parade one’s strength in the household; rather, it was a virtuous attempt to secure equality for women, particularly in spheres of work and social opportunity, where their merit had long been overlooked. A woman of sound mind and true independence scarcely requires the shelter of any such label to validate her worth. She knows her own mind, she walks her own path, and she wins her place in the world by her own talent. Yet, as is so often the case, common sense — a faculty tragically uncommon — has proven unequal to the task, and many have trampled upon the beauty of this once gallant idea, distorting its intention for personal grievance and gain.

 

Nature and evolution have, with quiet wisdom, assigned to us roles — both mental and anatomical — that fit our design, and whenever this ancient balance is tampered with, the world stirs in confusion and unrest, as we have seen with growing clarity over recent decades. Whether there is a remedy to such disquiet is uncertain, but I am reminded of my friend Mervyn, whose words, however inelegant, held the simple force of truth: “You know who you are, and what you are, so why the devil do you care about what anyone else thinks, dude?”

 

A CONFESSION OVER WINE

 

Not long ago, I found myself in conversation over a quiet drink with a friend — a lady long married, or so I had presumed, and a mother to two sons pursuing their studies in America. Though we had known each other for more than two decades, the occasion for personal confidences had never before arisen between us. It was quite out of the blue, then, that she turned to me with a measured caution and asked whether I did not miss the comforts of matrimony. I replied, quite truthfully, that I did not. Her next query, I suspected, was borne not of idle curiosity, but of some quiet personal wondering: why, after all these years, had I never married?

 

I answered her candidly: as I had never felt the tug toward procreation, I had thought it unwise in my youth to enter into marriage for its own sake. She listened with the faintest smile playing about her lips as her slender fingers encircled her glass of wine. Then, after a pause, she asked me whether, at any point in my life, I had ever been confused about my sexuality. There was in her voice a note of vulnerability — an almost unspoken self-doubt — and sensing it, I met her question not with evasion but with levity, asking if what she truly meant was whether I had ever watched gay pornography. She grinned and nodded in silent admission.

 

I told her that I saw no contradiction in being able to watch two women without protest and, by the same measure, feeling no particular distress if the same scene were played out between two men. “Really?” she asked, surprised. I explained that human sexuality, like so much else in life, rarely conforms to the fixed boundaries we like to assign it. The anxieties that plague us often do not arise from the thing itself, but from the imagined judgments of those around us. 

 

THE PROBLEM OF NORMAL AND ABNORMAL

 

“Say I wanted to sleep with an animal,” she ventured suddenly, “would you, as a friend, object to it?”

 

“Who are you or I to object to what another person desires?” I replied. “Society would think it abnormal, wouldn’t it?” she pressed, revealing — with this single admission — that the true confession had been waiting just behind these questions.

 

I asked her, “Do you think so?” and for the first time, I saw an openness in her gaze that had not been there before. She shrugged her shoulders, unsure. I asked her once more, “What is abnormal?”

 

She hesitated, searching for words. “You know how people think you are strange if you enjoy things that aren’t considered normal,” she said at last. I told her that I had little interest in judging what was or wasn’t normal. As for myself, I added, I neither sought out such content nor was repulsed by it if it happened to pass before me. “So, being a heterosexual man, if I can make peace with the mere sight of it, why should it trouble you?”

 

She fell silent, deep in thought. 

 

THE WEIGHT OF GUILT AND THE FREEDOM OF SELF-ACCEPTANCE

 

At last she admitted, almost as if she were unburdening a great weight, that on two occasions she had shared an intimate experience with another woman, and had enjoyed it — though the guilt of it had been gnawing at her ever since. I listened without interruption. After a pause, she asked whether I judged her for her confession. I shook my head.

 

“Why?” she asked.

 

I replied that while I was neither a psychologist nor a philosopher, I knew enough to understand that her guilt served no higher purpose. Why should it matter what I — or anyone else — thought? “We live in society,” she countered, “and we must think of that society. I have two teenage sons — what if they were to find out?”

 

I told her gently that her heart would lead her better than any external voice, and that her sons, by now, were surely old enough to understand. She gave a dry laugh. “You speak so freely,” she said, “because you are used to seeing women do such things on screen. But what about you men?”

 

I smiled at her candour. “What about us?” I asked.

 

“I wish men,” she continued, “could accept the fact that if they simply lent each other a helping hand, it would spare so many women from the burden of unwanted pregnancies and other complications. But men are so shackled to their notions of manliness, they miss out on the beauty of sharing something with another who shares their own anatomy.”

 

I could not help but admire her honesty. Then came the question I had, perhaps, been expecting all along: “Have you ever tried it?” she asked, stammering slightly.

 

I told her I had never known such a drought of women to warrant the experiment, but that if one day I were to feel hopelessly drawn to a man, I would follow that feeling without fear. “Wouldn’t you be afraid of the world’s judgment?” she asked.

 

I answered that she, too, had not been afraid when she gave in to her own feelings, despite any afterthoughts. She nodded. “Exactly,” I said, “and though I have never experienced such an inclination, and do not expect to, if ever the day came when I did, I should meet it as one meets all new experiences — without alarm, for it is only through the testing of boundaries that we truly come to know ourselves.”

 

She regarded me for a long moment, her expression hovering between surprise and contemplation. “I think I know myself,” she said at last, with a sudden show of confidence.

 

“Only the shallow know themselves,” I quoted Wilde, which made her blush and fall into a brief, thoughtful silence.

 

“This isn’t about me,” I said softly, resting my hand on hers to ease her confusion, “desiring a moment of softness when one is weary of the hard is no betrayal of one’s nature. You knew what you wanted, and you acted upon it. Be proud.”

 

Her eyes searched mine. “Yes,” I said, answering her unspoken thought, “the rest is just noise. Let it go.”

 

ON LOVE, BROKEBACK MOUNTAIN, AND MISUNDERSTOOD AFFECTIONS

 

The conversation then drifted to cinema. “What did you make of Brokeback Mountain?” she asked, as if trying to link her private concerns to something more universal. “The people I knew watched it in hushed secrecy.”

 

I laughed. “My dear, from where to where have you leapt! But since you ask: I thought it one of the rare films that treated the subject with dignity. Most people, on hearing the words homosexual or bisexual, think only of sex, spelled out in great neon letters. But orientation is not about sex alone. Brokeback Mountain was, to my mind, a story of love — and love, as I have always believed, is neither confined by gender nor limited by convention.”

 

She grew quiet, as if allowing the thought to settle.

 

“If one looks beyond the surface,” I added, “that film had more to teach us about the heart than many of the so-called moral authorities of our time.”

 

She gave a quick laugh. “You creative ones are quite the peculiar breed.”

 

“That we are,” I replied, setting down my glass.

 

She thanked me with warmth and ordered another glass of wine, and the conversation turned once more.

 

ON MARRIAGE, COMPANIONSHIP, AND KNOWING ONESELF

 

“Have you ever felt that you had any other problems — emotional or mental?” she asked.

 

I told her truthfully that I had never been burdened by such wounds, much as others might like to believe otherwise.

 

“Then why do you seem so cold and distant?”

 

I smiled. “I am cold and distant only until I know someone. Beyond that, I am anything but.”

 

“Wouldn’t that put people off?” she asked.

 

“Perhaps. But I’ve been fortunate to know the finest people I could have hoped for, so I suppose this temperament keeps the unworthy at bay.”

 

She nodded with understanding. “But we are older now, more certain, more fossilised. What if you never meet the right fit? Would you regret not marrying?”

 

I replied that marriage had never been so central to my life that its absence would cause my world to collapse. Even in youth, I had contentedly charted my own course. True, finding the right companion grows more difficult with age, but I was never rigid, only discerning. If ever I were to meet someone who was genuine — equally at ease in a ballroom as on a roadside, sipping tea — age would not be a barrier. And if I did not, I would feel no sorrow for the lack.

 

“So you don’t believe in permanence?”

 

“Does permanence even exist?” I asked.

 

She laughed and gave my arm a playful slap. I concluded, “I would rather remain happily alone than unhappily accompanied. And I dare say, that ought to be the rule for anyone.”

 

THE TYRANNY OF FAMILY PRESSURE

 

I have a friend — as dear to me as any brother born of the same mother. Our friendship ran so deep that, in the frolicsome spirit of jest, I would sometimes quip: if only one of us were to alter the unfortunate circumstance of our sexes, the tiresome waltz of finding the right woman would be solved in an instant. We could marry one another and spare the world — and ourselves — the whole weary business. He would laugh, as heartily as he always did, and in that same zestful vein, would reply that, were the transformation complete and the elusive female hormones to strip us of our mutual fondness, it would all end in calamity rather than bliss.

 

For many years, this friend of mine lived abroad. A migratory bird, he would return home with faithful regularity at Christmas — until last year, when he descended upon us not merely as a visitor but as a man freshly wedded. His announcement left our circle of friends as speechless as a congregation who has heard a most unexpected sermon.

 

“Is it the same young lady you were once so uncertain about?” I asked him, puzzled by the suddenness of it all.

 

“Yes,” he answered, with a disarming innocence, almost as though he’d forgotten the doubts he had once confided to us.

 

Time, it seems, is the great architect of human change, and we — knowing him as well as we did — resisted the temptation to draw hasty conclusions. Yet, I confess, curiosity bedevilled at me. A month after his nuptials, we met again.

 

“What on earth happened?” I asked, unvarnished and direct, for ours was not the kind of friendship that required the frills of formal civility.

 

His reply was unembellished, almost devoid of life. “You know how long my parents have been chasing me,” he said, “one night, a week before Christmas, my mother woke me at the ghastly hour of three. She said my father’s health was failing him, and the remedy, she believed, lay in my agreeing to marry the girl they had chosen.”

 

I wiped the sweat from my upper lip and held my tongue, but he noticed the gesture and scolded me for it. Our silence hung heavy and charged. At length, he added, “I told them I would consent, but only on the condition that if the marriage proved ill-fitted, I would not be held accountable for the consequences.”

 

Still, my vexation would not be pacified. “She is not someone I can hate,” he confessed, “but neither am I drawn to her. The very act that consummates a marriage eludes me, not out of will, but from the absence of desire.”

 

This, from a man I had always regarded as the freest of souls — one who would vanish at will, turning off his devices like one might turn out a lamp, and return when the world least expected him. No one could coerce him; only his own heart could move him. And yet here he stood, a captive of familial sentiment.

 

“Did it not occur to you, before embarking on something so reckless?” I pressed him. “You, who weigh every decision a hundredfold!”

 

He sat in silence, as still as stone.

 

“You know,” he murmured at last, “I have always been the sort who would lay down my life for the people I love.”

 

I struck him lightly but firmly on the chest. “And that,” I said, “is what astounds me — that you, of all people, would succumb to the tyranny of emotional blackmail.”

 

His head bowed, and he busied his hands with the salt and pepper shakers as if hoping they might deliver him from my reproach.

 

For the traditional-minded, his choice would doubtless be praised as honourable. But from a standpoint grounded in reason and human dignity, one ought to enter marriage only when heart and soul stand united in readiness — not out of obligation to others, however beloved. It is natural for parents to long for their children’s contentment, but too often this desire is but a thin veil for their own vanity, their fear of social judgement, or their unwillingness to let go.

 

And the truth remains: it is not only your own life you endanger when you yield to such pressure, but the life of another — a life entrusted to you, one that may be derailed simply to soothe your parents’ anxieties.

 

My friend, for all his haste, was no child, no green youth to be easily manipulated. Once he had spoken his assent, he could no longer hide behind the excuse of parental insistence. He leapt into deep waters, not for love, nor for hope, but merely to test the temperature.

 

Marriage is not a festive gathering, a fleeting moment of gaiety and admiration. It is, rather, a solemn covenant — a stewardship of another’s heart and future. To accept such a charge lightly is to court both sorrow and ruin. My friend, alas, learned this too late. For all his cleverness, he made a mistake so basic it has ensnared even the simplest of men: the illusion that one can please everyone.

 

Yet, I must end on this note: while I have spoken my thoughts with the liberty that true friendship allows, I know well that judgement belongs not to me, nor to any man, but to the inscrutable counsels of each human heart. And so, if I have sounded harsh, I beg forgiveness, for only he knows the full weight of the reasons that led him down this path.

 

A WOMAN’S ROLE: TRADITION AND MISCONCEPTION

 

One day, another friend — a woman — asked me, “When you grow old, who will cook for you? Who will care for you and tend the house?”

 

I was taken aback, almost amused by the narrowness of her question. “You are a woman,” I said, “and yet you reduce your own sex to the rank of servant — cook and maid?”

 

She tried to wriggle from the implication, taking a generous sip of her wine, and claimed that her meaning had been misunderstood. But the conversation had already strayed into deeper waters.

 

“That,” I replied, “is the great misconception: the belief that a woman’s role is to keep house and tend hearth. She may very well have no wish to cook, and I might find myself the one holding the ladle, not she. And what then? What, indeed, if the roles reverse?”

 

She rubbed her forehead, weary and a little conceding. “I see your point,” she said, “but this is how it has always been, since the dawn of time.”

 

I could only shake my head, still bewildered. “If I want a cook, I will hire one. If I desire a housekeeper, I shall employ one. You women spoil men and then complain when those same men, having grown fat on privilege, trample your freedom beneath their feet.”

 

She laughed, perhaps a little too readily, and asked, “Do you not miss having children of your own?”

 

“Children have always managed to annoy me more than they allure me,” I answered with frankness.

 

“That’s a harsh thing to say,” she replied, though without anger.

 

“A woman,” I went on, “even one who is clear in her mind that she does not want a child, may one day find herself prey to those age-old instincts. I was not prepared to take that chance.”

 

“You could have had yourself operated,” she suggested.

 

I smiled. “Yes, I could have. But as you well know, even that is not always permanent.”

 

THE CALM OF OLDER WOMEN AND THE WISDOM OF TIME

 

Another day, my friend Mervyn asked me why I had always been drawn to older women. I told him, simply, that I found in them a calmness — the quietude of one who has seen the world, and made her peace with it. Far better that than the feverish company of a young woman, all jealousy and pettiness, her soul as shallow as a teacup. 

 

He nodded, and told me a story from his travels. While aboard ship, he had met two couples. One pair was in their nineties — two old souls who had never married, until fate introduced them in a park. There, in the autumn of their lives, they discovered in one another a connection deeper than any youthful infatuation.

 

The second couple were sweethearts once, married young and parted bitterly after five years. Each went on to marry another, but time, that quiet conspirator, led them back to each other after their spouses had passed away. They remarried, and at the age of eighty, found happiness more profound than ever.

 

I, too, recalled a little verse I had saved on my phone: “I’ve lost people and found them again. The second time around, things just made more sense. Honestly, timing has a lot to do with everything. Sometimes you aren’t ready for each other yet.”

 

Mervyn, touched by its truth, sighed. “If only people understood that.”

 

UNLIKELY MATCHES AND SOCIETY’S DOUBLE STANDARDS

 

In my own neighbourhood, a young man of twenty-five had once taken up with a woman twice his age. The tongues of the community wagged furiously, for such a pairing is a scandal to our hypocritical society. But what I admired most was their courage to follow their hearts, unmoved by the sneers of the world.

 

It has long been my belief that one must seek in a companion an intellectual, soulful, and — yes — physical harmony. Without friendship at its core, even the grandest romance crumbles like a house built upon sand.

 

THE HOLLOW PURSUIT OF CONNECTION WITHOUT EMOTION

 

And finally, I recall a chance encounter of my own — a girl I met at a party, one of those evenings where drink has a way of loosening both tongues and inhibitions. We retreated to a quiet room, where the game of seduction began, only for me to discover, to my own surprise, that desire would not answer her call.

 

My body, wiser than my mind, would not permit what my heart had not sanctioned. She, confused, asked me if I was unsure, or worse, if I was broken. But the truth is simpler than all that: I cannot lay with one to whom I am not bound, not by duty or desire, but by genuine connection.

 

I told her, as gently as I could, that if she were to stop treating her body as though it were a bauble to be bartered for temporary affection, she might spare herself the sorrows — physical and emotional — that await those who mistake freedom for license.

 

Her response was as sharp as a whip: “Get out.” But the point stands, and I would urge every woman, and every man, to remember: the world’s notion of ‘liberation’ often leads only to enslavement of another kind.

 

Be real. Be vigilant. And above all, be honest with yourself.

 

THE GENTLEMAN’S CODE: AN ENDURING IDEAL

 

I once chanced upon a note in The Gentleman’s Journal, a modest list that read: Doors. Seats. Jackets. Umbrellas. Simple things, you might think, and yet these unassuming gestures are the quiet markers by which the true gentleman is known. It is not the magnificent declarations, but these subtle acts of thoughtfulness that separate mere men from those of cultivated character. Be, then, the man who offers his jacket to a friend when the air turns bitter; be the one who lifts an umbrella over his mother’s head when the rain descends unbidden; and above all, be the man who, without waiting for witness or applause, holds open a door or relinquishes his seat — whether for the woman he loves or the stranger he has never met.

 

And if, in the present age — this coarse and often unlettered epoch — such deeds are met not with gratitude but with the sneer of suspicion, if the world in its crudeness mistakes kindness for affectation and decency for a sign of one’s sexual orientation, then so be it. Let the world indulge in its hollow jest. You be you: happy, undeterred, unashamed — while they remain as they are, neither happy nor gay, but simply adrift.

 

Yet let us not forget this truth: however far we may advance in our outward ways, however progressive the age declares itself to be, the bedrock of our value system must remain unshaken — rooted firmly in propriety and forged from the steady iron of character. Alas, it is the great misfortune of our times that this value-based compass, once so universally shared, has fallen into disrepair. Is it any wonder, then, that so many souls appear adrift, like ships without rudders, lost in the great sea of existence?

 

Rather than allow ourselves to be devoured by the same disreputable forces that breed such drift, let us, by quiet example, reintroduce into daily life the customs and convictions that once endowed man with dignity and purpose. Let us not be shaken from our gentlemanly manners, even when mockery stands before us grinning. Let us carry ourselves with grace, treating both women and men with equal courtesy, not for the world’s approval but for the quiet dignity of doing right.

 

Let us not wield our masculinity as a weapon to oppress or subdue, nor entertain the base and desolate notion that manhood entitles one to treat any being — human or otherwise — as a vessel for conquest. Let us resist the vulgar temptation to regard women as mere objects for gratification, for this is not the path of a gentleman, but of a fool.

 

Let us choose openness over prejudice, and understanding over scorn. Let us recognise the simple but oft-forgotten truth: some are drawn to women, some to men, some to both, and some to none at all. Such matters ought not divide us but rather humble us, for we are all creatures of complexity, shaped by forces seen and unseen.

 

And let us not exhaust ourselves trying to silence the many-headed inquisitors — the modern-day Briareus — who reach and pry into the lives of others, for their meddlesome nature is beyond our power to cure. Instead, let us strive to dispel ignorance, to unravel misconceptions, and to make space for kindness where once there was only judgment. Let us honour love in all its strange and splendid forms. Let us hold in reverence the quiet nobility of human emotion, for these invisible treasures are worth more than the outward details of whom one loves.

 

And so, my people, let us remember always: each soul is a unique note in the symphony of creation, and it is precisely this diversity — this splendid, baffling, and sometimes inconvenient variety — that renders the world so endlessly worth inhabiting. It is this that lends each of us a distinctive melody, and this that makes us worthy of one another’s respect.

 

Let us be, in all things, gentlemen.

 

 


ARMOUR OF AESTHETICS


 


Fashion is more than attires.
It is not seams sewed up for warmth or whimsy.
It is the skin we choose when ours won’t speak.
It is warpaint. A psalm. A weapon. A whisper.
And anyone who says it’s shallow has never bled
in shoes they could not afford,
or worn a suit to scream in silence.

 

Dior knew this—Christian stitched revolution
into the New Look,
not just cinched waists and flared hips,
but post-war resurrection in silk and satin.
Women in bombed-out Britain wore knock-offs
with ration coupons,
not for glamour—
but to claw back dignity from the ashes.

 

Chanel binned the corset
not out of kindness,
but defiance.
Gabrielle knew liberty was best dressed in jersey.
She freed the female form not for fashion’s sake
but to say:
I am here. I move. I will.

And if you think a handbag cannot be political,
try carrying a Birkin in a world that counts
your worth by the weight of your wrist.

 

We are all mannequins of the mind,
wearing our fears and triumphs.
A Burberry trench is not a coat,
it’s British grit woven into gabardine,
rain-slick with the residue of Empire,
of WW1 trenches and windblown stoicism,
of aristocracy caught in modern floodlight.

 

Even the bare-knuckled Hackett finery,
double-breasted and stiff-lipped,
carries the chill of class systems—
a Savile Row sneer with specific stride.
And Dunhill’s quiet luxury?
A gentleman’s moan,
cuffed and collared by bashfulness.

 

Then comes Brioni, with Rome in every hem,
a sigh of la dolce vita pressed in wool,
the tailoring of emperors disguised as executives.

Berluti—where leather isn’t leather,
but autobiography, patinaed in ambition.
Even the soles speak of intention,
of arrival.

Loro Piana?
That’s not fabric,
that’s weather, bottled—
clouds tamed into coats
for men who conquer climates
before conversation.

 

And Ferragamo? 

That’s not footwear, 

it’s architecture for the soul— 

shoes that walked between function and film, 

that gave feet the right to be art, 

that turned arches into elegance.

 

Then Paul Smith arrives— 

styling with a wink, 

a British eccentric in pinstripes and pandemonium, 

a reminder that individuality is joy, 

and bravura need not murmur to be wise.

 

John Lobb, meanwhile, does not shout— 

it purls perfection in calfskin, 

precision shaped for stillness. 

 

Gieves & Hawkes? 

That’s the kingdom’s ghost— 

a military spine monogrammed in Mayfair, 

officers turned into outlines. 

 

Ralph Lauren rides in on nostalgia, 

a dream of America galloping across denim, 

where culture is costume, and aspiration has stitching. 

 

Hugo Boss?

That’s power, packaged— 

sharper than conscience, 

made for boardrooms and battlefields. 

 

Zegna strands restraint into lavishness, 

breathing wealth rather than declaring it. 

Tod’s gives the Italian foot permission to fly, 

suede like a second shell, 

speed tempered by design.

 

There’s philosophy in respective fibre.
Heidegger penned of “being-in-the-world”—
what better way to be
than clad in choices we’ve made?

Hermès doesn’t just make scarves;
they sculpt personality from silk.
Even Bottega’s woven leather
is a language: silent, sensual, specific.

 

Luca Faloni wraps leisure in linen, 

an elegy to Mediterranean tranquillity. 

And in the breast pocket? 

A sun-warmed reticence, folded.

 

A Montblanc ink pen— 

a sacred instrument of heritage, 

weight balanced in will. 

Poised not simply to write, but to inscribe self into time, 

every stroke an avowal, fluid with focus. 

Mindsets donned in midnight ink, 

where spirit glides in cursive, 

and status isn’t skreiched, but impressed— 

gently, irrevocably—into script.

 

Smythson leather cradles the intellect— 

not barely a diary, but a vault of selfhood,

where intimate thoughts lie veiled in vellum, 

protected, private, papyrus-bound confessions.

 

While Tanner Krolle bags convey lineage, 

magnificence with memory stamped into grain. 

Each scuff a footnote, each suture a signature, 

stories laced with unspoken legacy, 

handles sported by patrimony. 

Not plain accessory, but heirloom in motion— 

time you can transport, refinement that remembers.

 

Henry Poole & Co.

the origin, 

crafted the first verse of the contemporary clothing— 

a silhouette that never needed rewriting.

 

The psychologists got it too—
enclothed cognition,
they christen it.
Dress like a leader, think like one.
Wear despair, and you’ll think in grey.
So we wear hope. We wear dissent.
We wear ourselves, in disguise.

 

Cartier’s panther isn’t an animal.
It’s an idea: sleek, untamed, eternal.
Tiffany’s diamonds aren’t just carbon—
they are declarations.
They say: I’ve survived.
I am rare. I shine in ways you can’t bury.

 

Encircling the gilding joint: an axiom of time rendered tangible.
Breguet—horological diplomacy,
an arcadian coup d’état in gold and guilloché,
the Enlightenment beating beneath sapphire crystal,
antiquity not told, but adorned—encased in meticulous memory.

 

Longines—elongated elegance,
a sonnet of exactness drawn in classical numerals,
its pedigree traced like a calligrapher’s pen,
marking not hours, but endowment.

 

Jaquet Droz—a metronome of metaphysics,
where automatons dance like forgotten gods,
and every beat is a stanza, every dial a canvas,
inhaling and exhaling with the ardour of atelier-born dreams.

 

Audemars Piguet—where prudence is sculpted into eminence,
a paradox on the pulse: flamboyance without vanity,
sequentiality that mumbles louder than proclamation,
an opus of understatement on an open stage.

 

And Patek Philippe—
no mere mechanism, but existential enquiry.
Time decreed moral, inherited like ideology.
Not a wristwatch, but a benefaction ticking:
what, of all this, endures when you are gone?

 

Look to art—
Frida Kahlo wore Tehuana dresses
not for trend but to reclaim her body,
her pain. Her roots. Her voice.

Warhol painted Marilyn not as woman
but as surface, sheen—
proof that fashion is identity
reflected, refracted, commodified.

 

In cinema, too, it roars.
Think of Peter O’Toole in Lawrence of Arabia,
desert whites flowing like myth.
Or Audrey’s little black Givenchy dress—
not a garment, a gospel.
Bond’s tuxedo is armour,
while Joker’s purple ensemble sneers,
“I am chaos, tailored.”

 

Even in poetry—
Sylvia Plath’s bell jar was lined with lace,
Woolf wrote clothes as “nothing less than souls.”
The Brontës? Weather-beaten shawls and wind-tossed hair,
as if nature itself draped them in mood.

 

History wears its own wardrobe—
Marie Antoinette’s gowns gushed rebellion.
Churchill’s homburg, rigid with resolve.
The Black Panthers’ leather jackets—
uniforms of unapologetic rage.

 

Fashion is the flag you fly when no one asks your name.
It’s how the whist declare,
how the loud dominate,
how the lost try to be found.

It is not thread, not texture.
It is flesh, borrowed or built.

So scoff if you will,
call it frivolous,
but next time you put on your regalia—
be it robes of mourning or punk-studded recalcitrance—
Ask yourself:

Who am I, in this?

And who do I want them to think I am?

 

For when words fail,
we wear ourselves.
And sometimes,
that is the loudest truth of all.

 

 

Picture: Salvatore Ferragamo

THE MINARET AND THE MICROCHIP

 


To the living, I am vanished—
not with fanfare nor trumpet’s cry,
but like the scent of oud in the wind—subtle,
momentary, and yet impossible to forget.
To the sorrowful, I am an echo that won’t echo back.
I shall not return, not because I will not,
but because your world cannot bear me anymore.

 

To the angry, I am theft—
like Al-Andalus carved into Christian hymns,
a people painted as shadows
and charged with the burden of history they did not write.
They say I was cheated—
and I was—
of place, of peace, of narrative, of name.

 

But to the happy, I am solace in sujood,
a cup of Arab coffee unmixed, unsweetened,
still warm in the hand of someone who remembers
the name of Allah between each heartbeat.
And to the faithful, I have not gone anywhere.
I am the hush between the ayat,
the throb in the wrist before Fajr,
the sigh of a widow who still sets two plates
though the grave has long grown grass.

 

I cannot speak—yet I witness.
I cannot be seen—but I watch.
In the Qur’an’s breath, in Hafiz’s wine,
in the stare of a refugee child who has lost
more than the West has words to say.
I am felt—like war guilt in the throat of Europe,
like hunger in Gaza behind shattered glass.

 

So when you stand upon a shore—
not Brighton’s, perhaps Jaffa’s—
and watch the sea that once bore
Prophets, now bear murmurs—
do not just admire its beauty,
know its blood.
Know that beneath that surface float
more dreams than pearls—
more bodies than boats.

 

And when you behold a flower,
see not just the petal’s curl,
but the soil that feeds it—
and ask: who buried whom
that this garden might grow?

 

Remember me.

 

In your grey matter’s graveyard
where dead hopes rattle their bones.
In your neuroplastic hymns
that loop sorrow like a Spotify track.

 

Remember me—

 

In your synapses,
where the dopamine failed to fire
because the job never came,
because the visa expired,
because your name
scared the HR algorithm.

 

Remember:

 

The times we loved—
like Majnun did Layla,
mad with purity in a world
that feeds on the profane.

 

The times we cried—
like Musa before the sea,
not knowing whether it would split
or swallow him.

 

The times we fought—
with hearts not hands,
with words, not weapons,
though they chose to remember the latter.

 

The times we laughed—
in defiance of power,
like a child in Aleppo
chasing a ball through rubble.

 

If you keep me in your bloodstream of thought,
I am not gone.
I am the cognitive dissonance of your century—
the holy paradox,
the smiling man in the security queue
chosen for a random check
every single time.

 

I am Muslim, and I am modern,
which means I am exiled twice—
once by my own
for daring to ask,
once by yours
for daring to breathe.

 

They call it a Catch-22,
but it’s older than Heller.
The Prophet was stoned in Ta’if,
and he still prayed for them.

 

I am caught—
between the East that mourns me
and the West that mistrusts me.
Between tradition’s beard
and TikTok’s dance.
Between Jalal ad-Din and nihilism.
Between the minaret and the scheme.

 

Philosophy?
Ask Camus if exile makes a man.
Ask Arendt if statelessness
is the new original sin.

 

Art?
Ask Banksy why his doves wear flak jackets.
Ask Edward Said why every painting of us
is either a sword or a slave.

 

Literature?
Don Quixote tilted at windmills.
We tilt at whole systems.

 

Psychology?
Tell Freud our traumas are not dreams,
they are policies.
Tell Jung: the shadow archetype wears a keffiyeh now.

 

Film?
They tell our stories with actors
who can’t pronounce our names.
Then shoot us with camera and drone alike.

 

So no, I am not gone.
I am merely displaced—
like logic in politics,
like reason in war,
like God in the secular age.

 

I am here.
In you.
Still.
Bleeding
but breathing.

 

Remember me—
and I will haunt your silence
with truth.

 

SCENTED SONATA

 


In the bosom of London, nestled among the antiquated avenues, stood a charming old-school café where time seemed to slow down. On a crisp autumn afternoon, two childhood friends, Oliver and Edward, met for tea. The atmosphere was filled with the rich tang of brewing tea and the subtle redolence of Bvlgari Man In Black, a scent that mirrored the sophistication of the establishment.

 

As the friends settled into the plush velvet chairs, Edward could not help but notice the air of success that clung to Oliver. His bespoke suit, immaculately polished shoes, and the restrained gleam of a watch on his wrist spoke volumes about his affluent lifestyle.

 

“Oliver, old chap, you seem to be doing exceptionally well these days,” Edward remarked, sipping his Earl Grey.

 

Oliver chuckled, swirling the aromatic tea in his delicate hand-painted-China-cup. “Ah, Eddie, life has its twists and turns, much like this delightful scent I am wearing today – Bvlgari Man In Black. It is a scent that transcends time, just like our friendship.”

 

Intrigued, Edward leaned in, curious to unravel the parallels Oliver was drawing. “Do tell, my friend. How does a mere ambrosial liquid reflect the intricacies of life?”

 

Oliver took a moment, inhaling the bouquet lingering in the draught before he began his tale. “Imagine life as a sonata, Eddie. The strong chords in the tonic of the first theme with its daring high, or in this case, top notes, like the initial burst of citrus in this heavenly blend, represent the zest and enthusiasm of youth. But as the melody progresses and transitions into the melodic second subject of the dominant key, the heart notes emerge, mirroring the depth and complexity we acquire with time.”

 

Edward nodded, savouring the analogy as Oliver continued. “Bvlgari Man In Black, much like the trek of our own lives, has a strong leather accord at its core – a reminder of resilience and the ability to weather storms. It is the perfumatory of a man who has faced challenges, yet emerged stronger and more refined.” 

 

Their exchange meandered through memories of shared childhood adventures, college escapades, and the trials of adult life. Oliver painted vivid pictures with his words, intertwining the spirit of the fragrance with anecdotes of success and setback.

 

“The base notes, Eddie,” Oliver mused, “they are the foundations of our existence. Just like the ever-present warmth of amber and the smoky touch of guaiac wood in Bvlgari Man In Black, these elements ground us and define our essence.”

 

Edward grinned in accord. 

 

“Did you know, Ed, that amber has this whole history? It’s been a talisman for courage and self-confidence, like a charm for warriors on the battlefield. It’s even a sign of good luck. And get this, older folks rock it as a sort of representational symbol of wisdom and fortitude. Pretty cool, huh?”

 

“Ah, I see,” Edward remarked, with a hint of contemplation.

 

“And, did you ever clock the smoky vibes of guaiac wood? It’s like this allegorical powerhouse, symbolising strength and endurance. People reckon it is a bit of a guard against bad vibes, bringing balance and harmony into your life. It’s got this metaphorical connection to vigour, protection, and grounding, apparently.”

 

Edward found himself captivated by the poetic comparisons to something so scholarly. “So, my friend, do you believe that life, much like this whiff, is a concoction of various elements that create an exclusive symmetry?” he asked, gently folding the sleeve of his suit. Adjusting the cadence of time on his watch, he stretched his legs, revealing the joyous glimpse of his socks—an exuberant detail accentuating his flawlessly handmade shoes.

 

Oliver smiled, a glint of wisdom in his eyes. “Precisely, Eddie. Life is an olfactory odyssey, a mélange of highs and lows, sweet and bitter moments, which get imprinted in our memories, often solidified by a rare scent that is accompanying, perhaps even unconsciously, these events. Like in a symphony, life’s pulse leads us through the peaks of bliss and sorrow and all their complexity, whilst imperceptibly and inevitably leads us to its harmonious conclusion. And just like a well-crafted fragrance, it is the equipoise of these elements that creates a masterpiece.”

 

As the hours passed, the friends delved deeper into the intensities of their lives, their laughter echoing in the quaint café. Each sip of tea carried the resonances of their collective past, and every inhale was accompanied by the constant trail of Bvlgari Man In Black, a testament to the everlasting friendship that had stood the test of time.

 

As the sun dipped below the horizon, casting a warm glow over the city, Oliver and Edward rose from their seats, their conversation concluding like the final notes of a concerto. The fragrance of Bvlgari Man In Black dawdled, a reminder that life, like a well-composed tune, is a passage of synchronisation and parity.

 

With a firm handshake and a promise to meet again, the two friends parted ways, their footsteps echoing in the cobbled streets of London. The enchanting old-school café stood witness to an indissoluble friendship, enriched by the subtle nuances of life’s equilibrium – an opus that continued to play, with Bvlgari Man In Black as its odorous muse.

 


~



Author’s Note:

 

The parallel drawn between the perfume, life, music, and childhood friendship serves as a symbolic exploration of the intricate layers that make up the human experience. By likening life to the notes of a fragrance, the storyline delves into the idea that our voyage is a composition of various elements—some sweet, some bitter, yet all contributing to a unique and congruent orchestration. 

 

The fragrance becomes an emblematic creative influence, weaving through the plot to emphasise the enduring nature of profound connections, much like the childhood friendship that has stood the test of time. Just as a scent lingers, so do the reflections of cherished memories and the flexibility forged through the passage of years.

 

The account intertwines the aromatic journey of Bvlgari Man In Black with the consonance of life and permanent friendship. The title captures the essence of the story, highlighting the fragrance as a central theme and highlighting the euphonic relationship between life’s elements and the timeless bonds of friendship.

 

Acknowledgements: 

 

Additional dialogues by Evgeny Genchev. 

 

Much obliged Rahul Karnani, Subi Samuel and Anand Sivakumaran for your time and the invaluable suggestions. 

 

LITTLE JOYS



It was a dusky sort of afternoon, the kind that dangles between tea and twilight, with the sun loafing about like a lazy aristocrat—too proud to set, too idle to shine. The drawing room, with its high-backed chairs and bookshelves bowing under the weight of Tolstoy and gin bottles, basked in the quietude of a house that had, mercifully, survived our adolescence.

 

There we were—two brothers, born of the same mother and yet wildly divergent creatures—he, the sensible sort with a mind like a filing cabinet; I, a chaotic poet at war with socks and sobriety.

 

I swirled a glass of something I pretended to remember pouring, the amber liquid catching the light like mischief caught mid-prank. Leaning back with a dramatic sigh, I asked, “What do you get when you meld whiskey, wine and vodka, my kiddo?”

 

He looked up from his infernal Sudoku, eyebrows raised like an Oxford don presented with a haiku. “You get drunk. That’s what you get.”

 

“Naah!” I waved a dismissive hand, nearly decapitating a houseplant. “What you get when you meld whiskey, wine and vodka is a heroically outstanding spot of kindred spirits in a single, walking and talking embodiment, and that embodiment is you, my kiddo!”

 

He blinked once. Then, with the exasperated patience of a man forced to share a flat with a Shakespearean parrot, he replied, “Headache.”

 

“Huh?”

 

“That concoction will result in a headache,” he said, dragging out each syllable as though translating for the emotionally impaired, “if you happen to remember what happened to begin with… just like you,” he paused, eyes twinkling with impish delight, “are my biggest headache!”

 

A silence fell. Not the funereal kind, but the combustible kind—the sort that precedes either a duel or a bellyache of laughter.

 

And then we detonated. Boisterous laughter ricocheted off the walls, toppling decorum like dominoes. He lunged forward, gave me one of those rare, brisk, manly hugs—just long enough to convey brotherhood, but short enough to maintain dignity—and dashed off like some Victorian street urchin with an overdue library book.

 

I remained there, marinating in mirth, staring after him as though he were both ghost and gift.

 

You may have your scholars, your sages, your philosophers. But I, dear reader, possess a younger brother—a paradox wrapped in sarcasm, dipped in reason, and lightly toasted in charm. He is a walking contradiction, an accidental cocktail of virtue and vice, with just a splash of ridiculousness.

 

And let me tell you something most true.

 

My little brother is the coolest spirit in the room.

 

IN LIEU OF DEATH ~ Sushant Singh Rajput


Death came for me on the 14th of June. No, it did not arrive at all in the way I had always expected it to – there was no blinding white light, or some demon dressed in black. It came like an assassin in an unruly ambush, and took me as I was, totally unprepared. 

 

It left me to grieve the loss of someone very dear. Only I’m just not sure who: whether it was the someone dear who went with bodily death, or us, that the someone dear left behind as dead, I do not know. I only know that this is going to be a yearly occurrence. 

 

 

 

In an hour of my having posted that on Facebook, the doorbell went off. I answered the door in my boxers to see a friend who said she was giving me exactly ten minutes to change into something more presentable. Once I was changed into jeans and tee, she towed me along to a place I had not been to before: an assembly of individuals who had faced the loss of a loved one. Not someone comfortable in unfamiliar environments, I began to feel queasy, but before I could have a word with my friend, a woman called out to me and invited me to join her and five people that had gathered in a small circle. I ambled along and drew a chair as a pleasant sounding man looked at me. “You are new here, right?” he asked me as I sat. Dumb question I thought, and wanted to tell him to get to the point, but, of course that was not how I would behave, and so I said nothing but merely moved my head in agreement. “What’s your name again?” he said. Another dumb question because I hadn’t shared my name yet. I turned and smiled at my friend collectedly, in order not to make her feel awkward, because I knew she was reading my facial vocabulary, and it reflected that I thought rather poorly of such support groups. I kept a straight face and stated my name. “Welcome, Mr Khan,” he said in his pleasant voice, “is there anything that you would care to share with us?” I shook my head. He didn’t take that as a rebuff and went on about how I should start to tell them who I was grieving for. I looked at the ground for a few seconds and thought that the floor could make do with a bit of cleaning. Then I breathed and looked up. “My best friend.” He gave me a look of having understood me, which I am certain he did not, but since he was trained to talk and behave in a particular way, he pretended he had understood me, and I pretended to let him fool himself that he had. “And did you lose her recently?” he asked. “A little over eleven months ago,” I replied. “And may I ask how you lost her?” I looked at him piercingly at first, and then calmed myself in a flick. “Suddenly,” I said, “I lost him suddenly.” He once again made a face with the expression that he had understood what I was feeling when he did jack. “Well, would you like to share with us about how you are feeling, or?” I shook my head and turned again to my friend who muttered a muted please. “Look, um, I don’t intend to sound . . .” I paused, reflected, “but this whole process,” I glared at the man directly, “I–I think that I’m at a different stage, or . . .” He cut me and said, “Well, the healing process of grief takes place in five different stages.” I was now furious at this dumb-fuck talk, and it was openly showing. “And what does this process do? Does it deal with my loss by helping me bring the person that I have lost back into my life?” He was flummoxed at my brazenness. “Any process is only supposed to act as a framework, a loose framework of the grieving process, accounting for everything from the grief of losing a loved one to the grief of somebody who is dying himself.” I lowered my head and reflected for a second, gathered myself and stared square into the man’s eyes – “Is there a difference?” He was quiet. “Is there?” I asked again. “Um . . .” he said, his demeanour a clear indication of his own inability to help me in any manner possible other than what his training or transcripts had taught him. I dipped my head, more as a token of politeness, and then stood up, winked at my friend, who was now thoroughly mortified at my behaviour and walked away. 

 

My friend followed up behind me. “I took you there for a reason you fool,” she scowled, “I took you there to help you overcome your grief, and also because I am so fucking worried that if you don’t talk,” she halted and looked about here and there, “that you might also end up dead . . . so at least you could have heard them out, right? At least!” I took in a lungful of air. “This ‘at least’ is what fucks everything up,” I told her, exhaling the air with a rather dramatic air. She narrowed her eyes and glared at me frostily. “People say all sorts of rubbish and then fit in words like ‘at least’ which are most unnecessary.” She hit me on my chest with her bag. “You’re being an arsehole,” she said. “Am I?” I asked, “Because as much as I appreciate what you are doing for me, I think that each of us have our own narrative of how we would like to deal with our angst . . . and the last thing anyone wants to hear is bollocks like it will be alright, or at least they lived long enough, or it was god’s plan, or they would want you to, or the classic – everything happens for a reason, etcetera, etcetera.” She hung her head down. I could see she was mildly ashamed. “Come on,” I said, grabbing her hand, “let me get you an ice-cream.” We got our cones and sat quietly on a bench as we watched people go by. “Were those people that repulsive?” I licked my ice-cream, spun round and faced her. “Like I said, everyone has their own method to process their pain, there cannot ever be a formula for it. Telling people to look at the bright side of it is like un-ringing a bell.” She smiled and repeated softly – un-ringing the bell. “What?” I asked. “Nothing,” she said bashfully. “When someone is in agony, being real may sound a bit rough perhaps, but it helps,” I said, “Something like – ‘I know what you are going through is hard, and I cannot say I understand what you are going through because I don’t, and I only hope that in time you will come to terms with it.’, can be one way to make someone feel real about it.” She reached out to my cone, took a swirl of my ice-cream and handed it back to me. “What’s been the hardest part of this for you?” she asked as she ruffled my hair. “Also, ‘Would you like to talk about it, or would you like to talk about something else?’, works splendidly too,” I replied. She smiled. “I get it.” I smiled too. “We just have to let people know that we are with them . . . we shouldn’t be putting words into their mouths because that is not what they would be needing. Practical support, even if it means to be with them in silence, is sufficient to get most ships across to the shore.”

 

When a person close to us dies, everything changes. It is as if a cyclone has swept and washed everything away. Everything appears meaningless, unfamiliar and empty. Some even tend to question who they are considering that a large sense of their identity was bound to the person they have lost. Dogmas, optimisms, aspirations seem utterly vain and tend to dissolve with time, and as cliché as it sounds, time stops. 

 

“So what form of death do you think is the hardest to accept?” she asked, slurping from her hands a large drop of ice-cream that had trickled down. “You think one can rate one over the other?” I asked, rather puzzled at her query. “I mean, you know,” she said stammering. “It could be the passing away of parents, siblings, partners, friends, spouse, it could be the loss of an unborn child to abortion or miscarriage, anything can cause bereavement.” She was absorbing what I was telling her, and it was evident that she was thinking something as I was speaking. “Out with it,” I said. She giggled. “I think tragic and violent deaths might cause more pain than the others.” I rolled my eyes. “Say an accident, a murder, a drowning, or suicide,” she paused, “disease, heart attacks too.” I nodded at her rather harsh reflections. “Expected or unexpected, gradual or sudden, any death is devastating,” I added. She got up and walked a few steps ahead, spreading her hands wide as the cool breeze caressed her skin. “Why did you behave that way in there?” I got up and walked up to her. “Really? After all that I’ve told you.” 

 

While she thought that talking to strangers would help me get over the loss of Sushant, it would have been impossible for me to make her understand not to meddle with the agony of others after I had already made my mind clear to her. What was it with some people, I wondered to myself – they are helpful and they are caring, but do they ever get anything?

 

“Tell me? Tell me!” she nudged me. I said nothing although I knew that her intentions were noble, only her intent was enormously incorrect – it was difficult to make someone understand that you miss the time you had with them, and that you may get over the pain in time, but you don’t really get over the passing of someone important to you, and this is the fundamental aspect of mortality that the world at large gets fully wrong. The people who care about you, they want to help you, they are worried about you, but the truth is that nobody can help you, nothing anybody says can make a difference. 

 

“What are you thinking now?” she asked me. “About the positive side of loss,” I answered. She studied me warily. “I think that while the death of the loved one destroys you, there is also a great positivity to be found in it.” Her eyes now became attentive. “We change as people . . . radically change . . . and this results in people becoming more open, intuitive, realistic, self-loving and gentle.” She slipped her hand into my hand. “I know what you mean,” she said kind-heartedly, “I have observed that people adopt a fresh set of values in life. They develop a stronger desire to help others, contribute to the world, prioritise relationships over money and materialism and spend more time with the ones they love.” I grinned upon hearing those words from her as I thought to myself that the one thing that is clear is that life chugs along, you accept and adjust without the person in question, but you do not get over the bereavement, ever. 

 

 



*In memoriam of my friend Sushant Singh Rajput (1986-2020)