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WHERE BROKEN DREAMS GO


 

Some griefs arrive with sirens.

 

Others arrive secretly,

wearing the scent of your shirt,

settling beside me

while a vinyl record turns

with that familiar crackle—

each revolution another attempt

to bring you back.

 

I have learned that memory

has a sound.

 

It is the needle touching old music.

It is your laughter caught

between one verse and the next.

It is my name

only because it once belonged

inside your mouth.

 

And yours—

 

God.

 

Have I ever told you

how much I loved saying your name?

 

It felt less like speaking

and more like praying.

 

No one warned me

that love was a rose.

 

Everyone speaks of the bloom,

of crimson petals opening

like miracles in spring.

 

No one tells you

that sometimes

the thorns survive

long after the flower is gone.

 

I still wear your shirts.

 

Not because they fit,

but because they remember

the shape of your shoulders.

 

I still wear your necklace,

black against a black shirt,

as though mourning

could become a uniform.

 

Sometimes I hear a motorcycle

passing beneath my window,

and my hands instinctively reach

for a waist that no longer exists.

 

I am still holding onto you

as you ride through a city

that no longer has roads.

 

Only clouds.

 

You once told me

that dreams were worth believing.

 

I believed you.

 

And then I discovered

what becomes of broken dreams.

 

They do not disappear.

 

They wash ashore

on forgotten boulevards,

where lovers wander barefoot,

careful not to bleed

on the shattered glass

of futures they had already named.

 

If you have never stood

on such a boulevard,

you will not understand.

 

But one day—

when the universe chooses your house,

your heart,

your impossible hope—

 

you will.

 

You will learn

how heavy silence can become.

 

I still remember

the first time I saw you.

 

A video call.

 

Pixels.

 

A hesitant smile.

 

Two strangers

pretending not to recognise destiny.

 

You looked into my eyes,

and before either of us realised it,

my heart had crossed the screen.

 

No visa.

 

No permission.

 

Only surrender.

 

Then came our first kiss.

 

How extraordinary

that happiness

can hurt so much.

 

That night

I wanted the world to end—

 

not because I wished to die,

but because I could imagine

no tomorrow

higher than that single moment.

 

You taught me

that dreaming

wasn’t foolish.

 

When I stood

at the edge of myself,

ready to disappear,

 

you held my hand

with the quiet certainty

of someone who believed

I was worth saving.

 

Before you,

life felt like

an endless winter.

 

After you,

even London

could not feel cold enough

to frighten me.

 

Do you remember?

 

I told you

I was leaving.

 

Not to leave you—

 

never that—

 

but to become

someone worthy

of staying beside you.

 

“I need to get clean,”

I whispered.

 

“For me.

 

For us.”

 

Hope,

I have unearthed,

is the hardest promise

to keep.

 

Now the record

has stopped spinning.

 

The tattoo

will never be finished.

 

The feather

waits for a wind

that has forgotten its name.

 

The boulevard waits too.

 

Perhaps it always will.

 

Sometimes

the lights begin singing

without warning.

 

I hear them.

 

Every streetlamp

hums your favourite melody.

 

Yet I no longer dance.

 

How could I?

 

Every step

belongs to the one

who used to lead me.

 

I no longer sing

unless it is our song.

 

Even then,

my voice keeps looking

for yours.

 

Night after night,

I bargain with sleep.

 

Please,

 

let me dream of you.

 

Let me borrow you

for a few impossible hours.

 

Because morning

is the cruellest invention

the Maker ever made.

 

Morning insists

you are gone

all over again.

 

The light is off.

 

Your face.

 

My face.

 

An ocean

between them.

 

Tell me—

 

what could possibly exist

that is greater

than the miracle

of being loved by you?

 

Nothing.

 

Nothing at all.

 

People tell me

that time heals.

 

I think they mistake

scar tissue

for resurrection.

 

There are wounds

that simply become

part of the fibre

of the soul.

 

You are one of mine.

 

And perhaps

that is another name

for forever.

 

If somewhere

beyond this breathing world

you can still hear me,

 

know this—

 

I still love you.

 

Across oceans.

 

Across winters.

 

Across countries,

cemeteries,

and impossible distances.

 

Across every life

the universe has forgotten

to give us.

 

Until my bones become dust.

 

Until my name

is spoken

for the very last time.

 

Until even memory

falls asleep.

 

I will meet you

where the boulevard begins—

where abandoned dreams

grow into wildflowers,

 

where old vinyl records

play without ending,

 

where motorcycles

never run out of road,

 

where the lights

are forever singing,

 

and where, at last,

 

I shall hear you

say my name

 

one more time.

 

 

 

Postscript. 

 

This poem is dedicated to my dear Mikel Niso and his feature film, Boulevard (2026). The dedication is not born of obligation but of observation. It is an uncommon privilege to encounter someone so young who possesses not only evident talent but also the far less common virtues of humility, sincerity, and a heart untouched by vanity. Such qualities deserve acknowledgment. The poem, therefore, is my small tribute to both the artist and the young man behind the performance.


 





FIT IS THE FIT


 

Backstage simulated organised catastrophe – Hair lacquer meandered across overheated air like invisible graffiti. Aftershave collided with fresh espresso. Curling irons hissed. Mist drifted from pressing stations in spectral ribbons since dissolving under relentless spotlights. Hangers clattered. Stylists barked instructions with the urgency of battlefield generals. Somewhere, somebody swore because a sleeve had collected foundation. Elsewhere, some poor sod discovered spray tan upon ivory silk and briefly reconsidered their very existence.

 

Kai studied his fleshly reflection in an enormous mirror bordered by theatrical bulbs. A midnight blazer hugged the contours of his torso with mathematical precision.

 

He pouted. “Mate...”

Elliot scanned a peek amid tightening bootlaces. “What?”

Kai pinched the lapel between thumb and forefinger as though handling contaminated evidence. “This fucking thing costs more than my first motor.”

“So?”

“So?” Kai scoffed. “Ten grand for stitched fabric. Humanity’s genuinely lost its marbles,” he sighed, “fashion’s the biggest scam ever invented, eh.”

Elliot snorted. “You’ve completely missed the joke, mate.”

“What joke?”

“The label.”

Kai blinked. “What about it?”

“It matters about as much as scented bin bags.”

“Absolute piss-take.”

“What d’you mean?”

“The jacket’s got sod all to do with it.” He straightened his hood. “If you are in shape, Primark starts looking like Savile Row.”

 

A makeup artist wandered past carrying brushes like medieval weaponry.

 

Kai folded both arms. “Explain yourself, Professor Catwalk.”

Elliot stood, dusted undetectable lint from immaculate shoulders, then inclined his chin at a bloke in the area. “See him?”

“The lad wearing the plain white cotton tee?”

“Yup.”

“He looks expensive.”

“He spent twenty quid.”

Kai grimaced. “...Bugger off.”

“Nope.”

“But...”

“Meanwhile, Mr Designer Waistcoat over there,” Elliot whispered, subtly indicating to a model buried under logos, “resembles somebody whose accountant accidentally dressed him.”

 

Kai watched photographers gravitate instinctively to the fellow wearing nothing remarkable whatsoever.

 

“...Bollocks.”

“They’re chasing confidence.”

“Seriously,” Kai said, “some fella spends ten grand trying to pose rich…” Eliott shook his head. “…while another spends six months eating chicken, broccoli, and saying no to doughnuts,” Kai interrupted, “…then walks in wearing a plain white T-shirt and everyone reckons he’s inherited a fucking castle.” Elliot shrugged. “That’s because the real indulgence isn’t stitched into the fabric, wanker. It’s carved into the bloody frame underneath.” Kai’s eyes lit up. “So getting fit…” He ceased articulating and wore his perfume. “…is the fit,” Elliot finished whilst he zipped his trousers.

 

Silence lingered. Steam veiled the haze, bluntly blurring individual luxury emblems before vanishing entirely. Funny thing, mirrors. They erased branding. Purely posture remained.

 

Kai watched his own stance unconsciously straighten. “Holy hell.”

Elliot beamed. “Exactly.”

“So everybody keeps chucking fortunes at wardrobes...”

Elliot breathed. “...instead of sorting whatever’s neath.”

Kai giggled. “That’s terribly tragic.”

“Nah,” mouthed Elliot playfully. 

“No?” exclaimed Kai. 

“Just abso-bloody-lutely efficient marketing.”

 

Nearby, an assistant wheeled another rail overflowing with parka shimmering within the wash of white luminousness like armour belonging to fabulously wealthy peacocks. 

 

Kai reached for one sleeve. “Incredible craftsmanship for all that.”

“Oh, absolutely.”

Elliot gently stopped him. “But tailoring rescues textile.”

Kai tilted his head. “Discipline rescues people.”

 

Those words settled somewhere unexpectedly deep.

 

Outside, bass thundered through runway speakers, each vibration rolling underfoot like distant artillery.

 

Kai exhaled slowly. “You ever notice something weird?”

“Eternally.”

“Nobody buys coats because they are cold.”

“No?”

“They’re hoping aura comes free inside the pockets.”

Elliot burst into laughter loud enough for three stylists to glare simultaneously. “Bottle doesn’t blooming turn up wrapped in tissue paper.”

Kai smirked. “Where’s it hiding then?”

Elliot pushed one sleeve to his elbow. “There.”

Kai raised one of his eyebrows. “My forearm?”

“Nah, knucklehead. The gym.”

“Ludicrous, innit?” 

“What?”

“Lads keep shopping for swagger,” Kai simpered, “and confidence is usually in the gym pretending to hate squats.”

 

 

A pause ensued. Longer this time. Not awkward. Comfortable. Around them, frantic hands adjusted ruffs, polished shoes, tugged cuffs, fixed collars, retied knots, reapplied powder, reshaped tresses. Countless frantic gestures chased perfection measured only by passing an ovation. Yet beneath every pricey garment stood thousands of forgotten repetitions. Early alarms. Skipped desserts. Heavy barbells. Sore muscles. Unrecognised decisions. Zero clapped for those. Everybody admired the results.

 

A stage manager stormed into the space. “Ninety seconds!”

 

Models immediately formed orderly chaos.

 

Kai straightened his jacket. “You reckon audiences actually believe they are staring at togs?”

Elliot chuckled. “Course.”

“They are rather wrong.”

“Massively.”

Kai smiled. “They’re watching persistence pretending to be fashion.”

 

Elliot opened the runway curtain. They exchanged a grin.

 

“Right then.”

“Let’s go convince all and sundry these clothes are the stars.”

“They are not, you twat.”

“No?”

“We are, you daft bastard.”

 

Blinding light flooded the dressing room like sunrise filtering via the basilica glass.

 

“Ready?”

Kai cracked his neck. “Always.”

 

Together they strode towards roaring applause. Half the crowd imagined couture had stolen all the attention. Neither garment would survive another season. Discipline would. 

 

Neither bothered correcting them.

 


THE CHAPTER WORTH READING


 

By the age of thirty-eight, Theodore Bell had become a curator of catastrophes that had not yet occurred. He could ruin a Tuesday with a Thursday that existed only in imagination. Breakfast frequently tasted of next month’s anxieties. He rehearsed conversations no one intended to have, mourned friendships that remained perfectly intact, and apologised for offences he had not committed. His life possessed all the drama of a great Victorian novel, except that every chapter unfolded completely within his own skull. Then, one peculiar Wednesday, something extraordinary happened. Nothing. The train arrived precisely on time. Rain fell with impeccable English manners. The cashier smirked. A pigeon inspected a croissant with the solemnity of a bishop. The world, Theodore noticed, had neglected to participate in the tragedy he had so carefully prepared. He wandered into a second-hand bookshop solely because he had never before entered one without first consulting reviews. On a dusty shelf lay a notebook bound in green leather. Across its first page someone had written:

 

“Suppose your life is merely the first draft of a novel. Would your protagonist truly spend six consecutive chapters wondering whether he had sounded foolish at lunch?”

 

Theodore laughed aloud. Not because it was funny. Because it was embarrassingly accurate. He purchased the notebook for three pounds and seventeen pence. That evening he conducted a peculiar experiment. Whenever indecision appeared, he refused to ask, “What is the safest thing to do?” Instead he questioned, “What would make this chapter worth reading?” The difference was astonishing. Rather than eating another lonely microwave supper, the protagonist wandered into an Italian restaurant despite having no companion. He ordered dessert first. He spoke with the elderly waiter about olives, opera, and why elderly gentlemen always seemed to know the location of excellent wine. 

 

The chapter improved immediately.

 

The following morning, in lieu of declining an invitation to join colleagues for coffee because he feared awkward silence, the protagonist accepted. The silence lasted approximately four seconds. Then somebody confessed they had once confused a funeral procession for a parade and accidentally applauded. Everyone tittered until tears arrived. Apparently awkwardness, Theodore discovered, often possessed an unexpectedly generous sense of humour. 

 

Soon the experiment expanded.

 

The protagonist bought flowers without requiring an anniversary. He wore the ridiculous emerald waistcoat hiding for years in the wardrobe awaiting an occasion sufficiently important to justify velvet buttons. He walked home through the rain rather than beneath umbrellas simply to discern whether novels exaggerated the romance of becoming soaked. They did not. It was marvellous. People began remarking that Theodore looked different. “What changed?” they quizzed. He never knew quite how to answer. Nothing had changed except the narrator. The voice inside his head had retired from its post as prosecutor and accepted employment as storyteller. Instead of declaring, “This is dreadful.” It now whispered, “Well... this should make for an interesting paragraph.”

 

Failures became plot twists. Embarrassments transformed into dialogue. Unexpected delays evolved into opportunities for side characters. Even grief acquired gentleness. When Theodore’s beloved aunt passed away, he uncovered that stories do not become beautiful by avoiding sorrow. They become beautiful because sorrow teaches every joyful page how precious it truly was.

 

One autumn afternoon he returned to the same second-hand bookshop hoping to ascertain who had written the mysterious sentence. The owner frowned. “What notebook?”

“The green one.”

“We’ve never sold green notebooks.”

Theodore insisted.

The proprietor searched every shelf. Nothing. Not even an empty space. He left puzzled. Perhaps memory had embroidered reality. Perhaps someone had misplaced the evidence. Or perhaps stories occasionally slipped helpful sentences into people’s lives without troubling themselves over authorship.

 

Years later, Theodore grew old. His hair surrendered with admirable dignity. His knees negotiated every staircase like diplomats concluding difficult treaties. Wrinkles arrived carrying maps of countless simpers. One evening, his granddaughter climbed upon his lap holding a blank notebook. “Grandad,” she asked, “I’m frightened I’ll make mistakes.” He smiled the sort of smile only accumulated years can produce. “My dear,” he replied, “mistakes are merely scenes before the editor arrives.” She frowned. “But what if people laugh at me?”

“Then you’ve accidentally written a comedy.”

“And what if everything goes wrong?”

“Ah,” Theodore expressed, “that depends totally.”

“On what?”

“Whether you’re reading your life as a police report...” He paused. “...or as a story.”

She thought about this for several silent moments before opening the notebook. “What shall I write first?”

Theodore glanced through the window. Outside, autumn leaves were dancing with absolutely no concern for symmetry. A dog had become convinced that chasing its own tail constituted a noble profession. Two strangers were chuckling over something the wind immediately carried away. The entire earth felt gloriously unconcerned with acting sensible. He beamed. “Begin,” he said, “with someone who finally stopped trying to be perfect and became intriguing instead.”

 

For that, after all, is the curious secret no anxious mind ever wishes to believe. Life is rarely asking us to perform flawlessly. It is utterly waiting for us to become a character worth following to the next page.


BALLS


 

The football pitch was sold long ago.

 

The chest?

Gone.

 

The sleeves?

Auctioned.

 

The arse?

Branded so thoroughly

it might as well have been listed

on the frigging stock exchange.

A humping commercial car boot sale of anthropoid flesh.

 

Every visible inch

of the modern footballer

has been rented out

to corporations

with names sounding like

failed Bond villains

or cryptocurrency scams.

Dodgy, soulless, bastardised little money machines.

 

Yet one province remained unconquered.

 

One concluding colony.

 

One sacred land of geography.

 

One final bit of forbidden fucking territory.

 

The bollocks.

 

The testicular frontier.

The last place where entrepreneurship hadn’t shoved its greedy rotten nose.

 

The last intact real estate

in all of professional sport.

 

For years it stood untouched,

like a national trust property

guarded by embarrassment.

 

No sponsor ventured near.

 

No executive rose from his chair

during a quarterly meeting and declared,

 

“Ladies and gentlemen,

the future of emblem engagement

now sits proudly and

precisely above the penis.”

 

Even capitalism,

that tireless burglar,

arose to possess

certain limits.

Even the money-grabbing tossers had standards.

 

Then cancer arrived,

as cancer always does,

not giving a flying fuck

about standing,

taste,

or the fragile egos of terrified blokes,

or boardroom sensitivities.

 

The Testicular Cancer Society

faced a problem.

 

Men.

 

A breed proficient of

memorising batting averages,

football statistics,

horse-racing form,

transfer rumours,

and the exact dimensions

of a carburettor manufactured

in 1974.

 

Yet ask these same men

to examine their own nuts

 

and they become

Edwardian widows

fainting into furniture.

Complete wretched drama queens in trousers.

 

A man will spend

three hours comparing

wireless headphones.

 

He will investigate

fantasy football data

with the dedication

of a war crimes prosecutor.

 

He will study pornography

with the concentration

of a medieval monk

illuminating scripture.

 

But check his balls?

Suddenly he is a nervous dinky twat avoiding his own anatomy.

 

“Bit rattling, mate.”

 

The national anthem of male stupidity.

 

Piss off extraordinary.

A species that can send rockets into space but panics at its own undercarriage.

 

So somebody had

a dangerous deliberation.

 

A useful introspection.

 

The sort of rumination

that initially sounds insane

and later appears inevitable.

The type of mad scumbag significance that history eventually thanks.

 

If men refuse

to look there—

 

make the whole world

look there.

 

Most clubs recoiled.

 

Pearls were clutched.

 

Lawyers perspired.

 

Committees convened.

 

Middle managers produced

PowerPoint presentations

containing phrases such as

full of corporate cad and managerial waffle

 

“brand synergy”

 

and

 

“reputational considerations.”

 

Which is generic dialect for

 

“We’re absolutely shitting ourselves.”

 

A sentence every cowardly conference room secretly understands.

 

Then one club,

monumental simpletons,

stepped forward.

 

Club Deportivo Leganés.

(Kloob Dep-or-TEE-vo Lay-gah-NES)

 

Bless their brilliant nerve.

Those heroic, reckless, Spanish lunatics.

 

They inspected the proposal,

shrugged,

and efficaciously replied,

 

“Fuck it.”

 

The finest two words ever spoken before doing something scintillating.

 

So eleven men

ran onto a football pitch

 

with a vital message

parked directly atop

their family jewels.

 

Twenty-two testicles.

 

One advertisement.

 

One enormous joke.

 

A ludicrous flaming masterpiece.

 

One serious purpose.

 

And immediately

the impossible happened.

 

Fifty million men watched.

 

One million visited.

 

Searches exploded.

 

Conversations started.

 

Lives may well have been saved.

 

Not by a speech.

 

Not by a politician.

 

Not by a celebrity

weeping into a camera.

 

But by an eleven-centimetre patch

of fabric

hovering humbly

over a collection of organs

that cultivation prefers

to discuss only after midnight,

behind closed doors, 

with inelegant laughter 

and far too much pretending.

 

And therein lies

the lesson.

 

The cosmos is changed

less often by dignity

than by audacity.

Because polite nonsense rarely moves the bonking needle.

 

The Wright brothers

looked ridiculous.

 

The first bloke

to eat an oyster

looked deranged.

 

The inventor of rugby

picked up a football

and ran with it

like a thorough psychopath –

A gloriously unhinged swine.

 

Every worthwhile idea

begins its breath

looking faintly stupid.

 

The awkward conversation

saves the marriage.

 

The embarrassing check-up

saves the patient.

 

The uncomfortable truth

saves the company.

 

And sometimes—

 

God help us—

 

the slogan adjacent

to a dick

saves a human life.

 

So raise a glass

 

to the football club

that transformed

its bollocks

into a billboard.

 

To the marketers

who ignored decorum.

 

To the men

who chuckled first

and checked later.

 

And to the strange,

magnificent realism

 

that in a civilisation

capable of building satellites,

splitting atoms,

and teaching gadgets

to imitate thought,

 

one of the most effective

public-health campaigns

in recent memory

 

was achieved

through the most absurd bleeding genius imaginable

 

by putting a logo

 

on a pair

 

of bloody shorts.