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ELEGY FOR A CIVILISATION THAT KILLS


War is not a trumpet; it is a journal.

 

It tallies the cost of breath 

in units of bone, 

in coinages of ash, 

in the soundless mathematics of mothers 

who survive their sons. 

 

Do not dress it in banners—
they are only laundered shrouds.
Do not call it glory—
that word is a fraud in a well-cut suit,
smiling with teeth paid for in marrow.

 

What is a nation, really,
when its borders are inked in blood
and then redrawn by men
who will never smell the decomposition they decree?
What is honour, when it requires a boy
to unlearn the very instinct
that kept his ancestors alive?

 

You speak of sacrifice.
For whom?
For what brittle abstraction
must a man become an instrument of ruin?

 

Answer plainly—
and do not you dare lie.

 

Is the soil improved by corpses?
Does the sky applaud artillery?
Does history, that pompous archivist,
truly give a damn for your medals,
or does it merely file them away
beside a million unnamed regrets?

 

War teaches efficiency—
how swiftly a spine can be broken,
how cleanly a city can be unmade,
how a conscience can be stifled
with the dull repetition of orders.

 

And you call this progress?

 

It is a grotesque curriculum.
A perverse education in annihilation,
where the final examination
is written in the handwriting of the dead.

 

Tell me—
when did we decide that intelligence
was best proven
by devising more elegant ways to kill?
When did evolution become
this thin, trembling veneer
over a snarling, ancient hunger?

 

We build cathedrals,
compose symphonies,
write philosophies dense with meaning—
and then, with the same hands,
we pull triggers.

 

What a spectacular fucking contradiction.

 

War does not merely kill bodies;
it vandalises the future.
It maims the unborn,
corrupts the yet-to-be,
plants in the centre of time
a sickness that generations must brave.

 

It is not an event.
It is an inheritance.

 

And you—
you who speak of necessity,
of strategy, of defence—
have you ever stood in the aftermath
when the clamour has drained away,
and heard the unbearable silence
that follows?

 

It is not peace.
It is vacancy.

 

A void where meaning once resided,
where laughter once echoed,
where a life—ordinary, unremarkable,
precious in its very banality—
was simply erased.

 

So I ask again—
and I will keep asking
until the question becomes unbearable:

 

What conceivable good
justifies this?

 

What end is so luminous
that it sanctifies such darkness?
What victory is so complete
that it compensates
for a single extinguished soul?

 

If you cannot answer—
and you cannot—
then say it.

 

Say, with brutal honesty,
that war is not a solution
but a confession:

 

that we have failed
to be human.

 

 

 

DANYAL ZAFAR - Ek Aur Ek 3



. . . And here’s presenting my little brother Danyal Zafar’s debut single Ek Aur Ek 3. 

The music production, the design, and the lyrics are by my Danny as well. 

TRIP ON IT the way I am TRIPPING ON IT.

MY BROTHER FEROZE KHAN


True siblings are bound together by far more essential things than blood.

Happy birthday mere true sibling!

SOMETHING SWEET FOR YOU



A young man stood accused of having stolen a motorbike. Whether he had indeed committed the deed was never rightly proven. Yet, owing solely to the fact that he belonged to a certain community—deemed suspect not by evidence but by prejudice—he was seized, bound to a tree, and beaten with such merciless fury that life itself was scourged from his body.

 

The incident stirred a cry of righteous indignation among one portion of the populace, whose hearts recoiled at such barbarity. Yet on the other side—among those who had laid violent hands upon him—there was a grim satisfaction, for they had forced from his bruised lips the recitation of sacred words, not in reverence, but as a cruel theatre of submission. They took perverse pride in this, believing that his death, thus orchestrated, would stand as a dread proclamation: that any who dared to walk a different path, or speak with an unapproved tongue, would find themselves likewise silenced—by blood, by terror, and by the mockery of the holy.

 

To be outraged upon hearing of such an incident is no more than the proper instinct of any soul not wholly estranged from its humanity. We shudder at the sight of animals slain—even when such deaths serve the ancient and necessary order of the food chain—and we devise intricate justifications to soothe our consciences, urging that such grim necessities be restrained or refined. And yet, when the life of a fellow human being is snuffed out in broad daylight, butchered before the eyes of the world, the response—uttered with chilling ease—is simply this: He deserved it.

 

When one dares to express even the gentlest aversion to harming a breathing creature—or hesitates, with quiet reverence, to shatter even that which is lifeless—one is swiftly admonished: These are not the times for free speech. Very well then, let us, for a moment, concede to this assertion. But let us also peer, however briefly, into the archives of history. Pray tell, when have the times ever belonged to free speech? Has the candid utterance of one’s mind ever been without peril? From age to age, the voice of reason has walked on embers, its tread unwelcome in the halls of power or amidst the tempests of public sentiment. No era has embraced sensibility with open arms; no generation has lavished support upon balance and thoughtful restraint. Time and again, the voice of measured conscience has been stifled—not because it lacked merit, but precisely because it bore too much of it, and thus posed a threat to the fragile scaffolding of society’s illusions.

 

And so we arrive at the inevitable question: What has become of the world? Do those who stoke the fires of hatred and devastation truly fail to see that the inferno consumes them as well? That hatred is not a weapon one hurls without injury to oneself—but a slow, poisonous draught that corrodes the soul from within long before it ever touches its intended target? One wonders whether many would even venture a reply to such reflections. For we live in a time when philosophy is whispered about as though it were a ghost, and intellectual enquiry is pronounced obsolete, if not outright dangerous.

 

And it is precisely here that the field of moral psychology offers a glimmer of illumination. For its questions are as ancient as they are urgent: How do children come to understand rules, especially those concerning fairness? By what means do they distinguish right from wrong? Are they born as blank slates, as John Locke posited—waiting for the world to inscribe its lessons upon them? Or do they enter this world already endowed, as Charles Darwin contended, with the seeds of wisdom, the stirrings of empathy, and the flickering’s of a moral imagination already in motion? In pondering these questions, we begin not merely to search the minds of children, but to examine the soul of our age.

 

Professor Jonathan Haidt poses a question both incisive and unsettling: If morality shifts across cultures and through the passages of time, how then can it be said to be innate? Surely, whatever moral compass we possess must have been acquired in childhood—shaped by experience, moulded by custom, and impressed upon us by the voices of our elders, instructing us in what is right and what is wrong.

 

It is a query that strikes at the very root of the matter. For if moral truths are not written upon the soul at birth, but rather scribbled there by the hand of circumstance, what then becomes of the claim that conscience is universal? Are we merely echo chambers of the age and soil in which we are reared? Or might it be that the moral sense, though coloured by culture, springs from deeper waters—present in all, though not always sung in the same key?

 

Jean Piaget, one of the foremost minds in developmental psychology, began his intellectual pilgrimage with a deep fascination for the natural transformations of the animal world—marvelling at the mysterious progressions that carry a humble caterpillar toward the splendour of a butterfly. In time, he turned this fascination toward children, bringing with him a keen interest in the stages by which human understanding unfolds. His aim was no less ambitious than to trace the emergence of adult reason—so nuanced, so deft—from the seemingly primitive and fumbling thoughts of the child. He sought to understand how the cognitive butterfly takes wing from the larval beginnings of early thought.

 

Piaget was convinced that children possess a remarkable instinct for discovering moral truths. Yet, he also laid bare the peculiar missteps they make along the way—errors not of wickedness, but of innocence, shaped by a mind still awakening to the world’s complexity.

 

To illustrate this, Piaget devised a simple but telling experiment. He would pour equal amounts of water into two identical glasses and ask the child whether the two held the same quantity. Naturally, the child would affirm that they did. But then, with the gentlest sleight of hand, he would pour the contents of one glass into a taller, narrower vessel and ask again. Children below the age of six or seven would often insist that the taller glass now held more water, convinced by the mere rise in water level, unable to grasp the constancy of volume beneath the changing shape. The water, of course, remained the same, but the child’s mind had not yet ripened to perceive it.

 

What Piaget revealed through this and other observations was profound: the understanding of such fundamental concepts is neither innate nor simply handed down from adult to child. It cannot be summoned by instruction alone. No matter how clearly an adult might explain the principle of conservation, the child cannot yet take hold of it—because the soil of the mind has not yet been tilled for such seed. Comprehension, in Piaget’s view, requires more than information; it demands the convergence of age, experience, and a readiness of mind—a stage in which the intellect itself has been shaped by life into a vessel fit to contain understanding.

 

Piaget, ever the tireless observer of the growing mind, extended his cognitive-developmental approach into the land of children’s morality. With remarkable humility and devotion, he would lower himself—quite literally—to the child’s world, getting down on hands and knees to join them in a game of marbles. While engaged in their play, he would intentionally break the rules or feign ignorance, inviting correction not through lecture, but through participation. The children, in their earnest responses to his intentional blunders, revealed much more than annoyance—they unveiled the dawning of moral understanding: their capacity to uphold rules, to modify them in the spirit of fairness, to take turns, and—most critically—to resolve disputes among themselves.

 

This moral awakening, like all growth in Piaget’s theory, unfolded in discernible stages, each rooted in the maturing of the child’s cognitive powers. He discerned that a child’s sense of right and wrong does not descend fully formed from the mouths of adults, nor does it spring ready-made from within. Rather, it is self-wrought—constructed painstakingly through lived experience with peers, through conflict and cooperation, through the very messiness of life shared.

 

In Piaget’s metaphorical world, the learning that takes place through games is not unlike pouring water between glasses—repeated, observable, yet misunderstood by minds not yet prepared. No matter how many times he demonstrated the notion of fairness to three-year-olds, they, like with the concept of volume, simply could not yet comprehend it. Their moral reasoning, like their spatial reasoning, lay dormant, awaiting maturation.

 

But something remarkable occurred as the children reached the age of five or six. It was not sermons, nor adult decrees, but the wrangling over rules, the quarrels and reconciliations among themselves, that forged in them a far more authentic understanding of fairness. From such simple negotiations, they came to know what no formal instruction could effectively impart.

 

And herein lies the heart of what Piaget—and psychological rationalism more broadly—proclaims: that rationality is not a divine gift granted in full at birth, but a seed that unfolds through time, through trial, through interaction. Just as the caterpillar inches slowly toward its winged glory, so too do we grow into moral creatures, equipped—through the refinement of reason and the crucible of experience—to grapple with life’s complexities and dwell in harmony with others. Rationality, Piaget believed, is our nature—but its full flowering, the summit of sound moral judgment, is the destination of our development, not its starting point.

 

Piaget’s framework, though forged in the quiet domain of childhood psychology, lends itself with striking clarity to the broader stage of our troubled world. One might well surmise that it shall take not one, but four or five generations to recalibrate the prevailing mindset—for the spirit of our age is perilously steeped in dichotomy: ever for or against, seldom seeking the golden mean. This rigidity is no accident; it is the fruit of dogmas incessantly drilled into pliable minds, not through reflection but repetition.

 

Children, ambiguous by nature and impressionable by design, absorb the dispositions of their parents as surely as soil draws in rain. And raised amidst the fog of weariness and confusion—where the air is thick with grievance and fear—they will likely inherit not only the prejudices of their forebears, but amplify them. They will not merely echo their parents’ antipathies, but resound them with fresh intensity.

 

Yet history, like nature, abides by a certain rhythm. And as is the way of human development—mirroring Piaget’s own vision—those who grow up burdened by the excesses of their parents often yearn to become their opposites. Thus, out of the ashes of prolonged discord, there may arise a generation whose hunger is not for vengeance, but for virtue; not for division, but for harmony. In them, balance may be reborn, and with it, the long-lost moral clarity of a wiser age. Such a generation might raise their children not on the stale bread of hatred, but on the fresh manna of fairness, compassion, and goodwill.

 

True, none of us walking the earth today may live to see that blessed dawn. We are, perhaps, too near the fire to behold the spring that shall follow this winter of discontent. But even so, let us not despair. For though we may not witness the fruit, we may yet plant the seed. And with hearts turned heavenward, we may hope—nay, pray—that the day hastens when mankind shall be graced with the long-desired luxury of peace: a world not ruled by fear, but shaped by understanding; not hardened by violence, but softened by love.

 

One takes up arms, not in the spirit of conquest, but when the very roots of one’s being appear imperilled; one strikes at the throat only when life itself seems poised upon the edge of annihilation—when the law of the jungle, survival of the fittest, becomes not theory but imminent threat. And yet, by every measure of reason and fairness, the minority communities presently subjected to hostility pose neither such threat nor challenge to the dominant majority in any corner of the world. They seek neither dominion nor duel; they do not arise in defiance, but endure in quiet perseverance.

 

Why then does the majority, wielding the greater power and influence, so often behave as though besieged? Why do they, like the children in Piaget’s experiment, fail to perceive the immutable truth—that the contents are the same even when the vessel shifts in form? Is it so difficult to grasp that despite differences in appearance, belief, or custom, the essential humanity within is no less sacred, no less real?

 

And if, as so often declared, the minority is deemed inconsequential by the majority, what then explains the depth of this irrational fear and the frequent descent into cruelty? Chastisement, where due, may be comprehended—even justice, when applied with compassion, has its place. But what of the impulse to brutalise? Ought not the stronger to safeguard the weaker, as a parent protects the child—not out of pity, but out of the superiority conferred by strength?

 

Why then has the taking of innocent lives become a grotesque pastime, indulged without remorse? What is such savagery, if not the most pitiable display of cowardice? For to massacre the unarmed, the defenceless, is not an assertion of might but a confession of terror—terror that gnaws at the soul even in the seat of power. And what, pray, has one to fear, when one is already master of the land?

 

It is not the minority that threatens the majority, but rather the reflection in the glass—distorted by pride and prejudice—that renders the heart blind to reason. And if such blindness persists, it is not the minority that shall perish, but the very moral fabric of the majority’s soul.

 

Concerning the minority, one is compelled to wonder: what is it that renders them so unyielding? They are acutely aware of their own powerlessness, and one might suppose that such perilous circumstances would incline them to seek conciliation rather than confrontation. And yet, they persist in resisting the tide, as though daring fate itself. Why?

 

Surely they must perceive that, in truth, there is little to be gained by defiance, and everything to be lost—chiefly their very lives. Let us take a breath and view the matter from another angle: when we greet a man in his native tongue, not because we must, but because it brings him comfort, do we not regard this as a gesture of goodwill? Then what great harm lies in uttering the phrases demanded of you, even under compulsion? One may rightly protest that such utterance is not born of affection but of coercion, not of liberty but of domination. This is true. Yet in a moment where no victory is attainable, does not prudence advise that one bow, not in spirit, but in posture?

 

After all, what is being asked may not belong to your creed, but it is not entirely foreign to your heritage. Do not mistake this concession for a betrayal of soul; it is not a matter of ego, but of brute force. And when force—not reason—governs the moment, self-preservation and the protection of one’s family must take precedence over the satisfaction of making a stand. Better to endure in silence than to perish in protest.

 

Some, no doubt, will call such restraint cowardice; others, defeatism or evasion. Let them. Let the world cast its judgments as it will. Your task is not to win their applause, but to steer your life with discernment. For in the end, I am is of far greater consequence than I was. In times of duress, wisdom lies not in reckless defiance, but in measured endurance.

 

One must choose life above all—above religion, above politics, above the proud impulse to make a point at any cost. For while you may believe you are honouring your principles by standing firm, it is your family who must carry the burden of your absence, should you fall as the young man did—beaten to death for no crime, save for being who he was. Let not your final act be one that leaves your loved ones bereft. Let it instead be an act of quiet strength: to live, to safeguard, to endure.

 

In conclusion, I present to you the Hindi short story Lynching, penned by the respected Hindi scholar, novelist, playwright, and fiction writer Asghar Wajahat. This poignant work has been rendered into English by my dear friend Rakshanda Jalil—a distinguished writer, critic, and literary historian—whose careful translation preserves the original’s profound spirit.


When the old woman was told that her grandson, Salim, had been lynched, she couldn’t quite understand it. There was no expression on her dark, wizened face or in her old, misty eyes. She covered her head with a tattered cloth. The word ‘Lynching’ was new for her. But she could guess that it was an English word. She had heard some English words earlier, too, and she knew what they meant. The first English word she had heard was ‘Pass’ when Salim had passed the first class. She knew what the word ‘Pass’ meant. The second word she had heard was ‘Job’. She understood that the word ‘Job’ meant getting employed. The third word she heard was ‘Salary’. She knew what that meant, too. The moment she would hear the word ‘Salary’, the scent of a roti being freshly cooked on a griddle wafted into her nostrils. She could guess that English words were good and the news about her grandson must be a good one. The old woman spoke in a contended tone, ‘May Allah Bless them!’

 

The boys looked at her in disbelief. They were wondering whether they should tell her the meaning of ‘Lynching’, or not. 

 

They did not have the strength to tell the old woman exactly what ‘Lynching’ was.

 

The old woman thought that she ought to bless the boys who had brought such good news to her.

 

She said, ‘My children, May Allah grant Lynching for all of you...Wait, I will get something sweet for you.’

 

 

BLOOD BONDS BROTHERHOOD




“Farahdeen,” said a senior journalist who’s work can be found in most leading news dailies, “I have been following your updates on your little brother Sushant.”
“You have?” I answered rather thrilled, “thank you for your time, sir.”
“The affection you feel for him is like the affection I feel for my younger brother,” he made known, “and it is inspiring to see this connection between two who aren’t related to each other by blood, but my brother is my own flesh,” he paused, “what I don’t understand is how can one care for someone else like one cares for one’s own blood?”
I breathed, “I wish I had the skill to explain it to you, sir,” I said, “all the same if there is anything deeper than deep, then it has to be that…I don’t know anything beyond.”

Coming to think of it, isn’t this misconception something that has plagued people, from time immemorial, and from all walks of life – your blood is your blood, and anybody not sharing that blood is a stranger, an outsider. I may not have the politically correct response to that, but this I can say without doubt that when two individuals share profound love for each other: the kind of love that a parent feels for a child, or, a brother feels for a brother, which is plausible without having to share the same DNA, then the equation changes, and the idea of ‘blood is thicker than water’ does not hold any substance. However, majority of our population has been raised with such a concept that blood is thicker than water, and once again, I do not possess the authority to challenge that adage, but yes, this is what I can say with certainty – first, speaking about the physical properties such as viscosity etcetera, blood may indeed be thicker than water, but there ends the relation, and second, without water there is no scope for blood to make more blood, so for me, together, they are essential to one’s life.

I have always believed that bonds aren’t biological. My first book’s preface indicated the same. I reckon that it isn’t such a foreign thought to each of you as well, and you have all felt deep love for someone who isn’t related to you by blood at some point in your lives. And that this love is far stronger than what you might have felt for those related to you by blood. We cannot attempt to vanquish something that is so acutely ingrained in society, but we can definitely wish that people embraced those they love, with the same inclusion, as they would their kin, and that in matters such as these it would be prudent to follow our hearts and not entirely our minds. For that is the wonderful thing about love, isn’t it – it is just as great a gift for the giver as it is for the one who receives it.

“What if Sushant was not popular. How would you have met him? Do you think that you love him a little more because of who he is? Would you have missed giving him that love, if he wasn’t your Chotu (little brother) as you regularly address him as?” asked the journalist friend in the same conversation.

I do agree that if my Sushant was not in the profession he was in currently, then the chances of meeting him, considering the geographical differences, would have been slim, but god has his unfathomable ways of bringing whom he wants to bring together even if one were to be on the opposite side of the globe, where it might take a year, or it might take a day, but what is meant to be will always find its way. Likewise, this may perchance sound mystical or barmy even, but there is far more to connections than what our common mind might conjecture about them. There is something galactic that entwines people in such glorious ways that once their paths cross, life without them can seldom be the same. And such intergalactic clashes happen with such unfailing intensity that the union stays unbroken until the ones involved in it do not breathe their last. What’s more? You don’t have to be in each other’s face all the time. You don’t have to be involved in each other’s life all the time, and yet that attachment is so powerful and sturdy and unwavering that verbal expression might not quite be able to communicate the exactness of what the feeling means to those who are living within that circle of blessed bliss.

Becoming someone famous is about timing, or even about luck. Agreed, my Sushant’s hard work, coupled by the benevolence of the creator, has led him to be where he is. And we, the family, respect that from the deepest echelons of our hearts. But we, the family, don’t love him because of what the world thinks of him, or what he is to the world. We love him for him. And even if he were not what he is now, our love would never diminish. It is not tactile; it is embedded within the nucleus of our hearts, or the soul, if there is something such as the soul. As for ‘would I miss giving my Chotu that love’ well, I am a much better human being because of the love he gives me, and I try in earnestness to be more like him with those around me like he is to those around him.

Remember that love should not be based on nature or stature, just as some relationships aren’t based on what you can get out of them, but rather whirl on what you can give them.

Remember, nearly everything in life should be based on the fibre of the love you feel for whom you feel it for and nothing but.

Remember, that when it comes to your brother, love can ebb and flow: we feel different at different times, but it cannot whiffle waffle with time or tide – it ought to be unconditional. Timeless.

Remember that love is universal, but brotherhood is exclusive.

Leaving you with something my Sushant had shared on Twitter on Wednesday, the 8th of February 2017: 

Just a heads up – this planet is taking us at 30km/sec toward our finality. Let’s make sure we Live ‘today’.

And even more binding is what my bade bhaiyya Jimmy (Sheirgill) had shared on Twitter on Monday, 6th February 2017:

Birth: GIVEN BY OTHERS
Name: GIVEN BY OTHERS
Education: GIVEN BY OTHERS
Income: GIVEN BY OTHERS
Respect: GIVEN BY OTHERS
First & Last Bath: GIVEN BY OTHERS
After Death Your Belongings And Property: WILL BE TAKEN BY OTHERS
Funeral Service: WILL BE DONE BY OTHERS

And I still wonder why we have the unnecessary EGO and PROBLEMS. Let us all simplify our lives and love and live with others peacefully.

Let those words sink into you. Be kind. Be humble. Love. That’s all that matters.


AE DIL HAI MUSHKIL



ON LOYALTY, ART, AND THE PETTINESS OF MINDS

 

 

 

Ae Dil Hai Mushkil features several dear friends of mine, and among them, my brother Imran makes a brief appearance—an appearance, I now suspect, has been ungraciously curtailed. The reason? Not artistic judgment, alas, but the meddling of small minds intoxicated by narrow prejudice—minds so petty that even those wholly unconnected to the matter have been made to suffer.

 

Let me speak plainly: I care not a whit for your political leanings. A friend remains a friend, and a brother, a brother. Love, not ideology, governs the compass of my affections. And where affection abides, I do not permit the froth of nationalism or the tantrums of public sentiment to muddy the waters.

 

Indeed, I confess to a certain disdain—yes, a withering contempt—for the manner in which some have chosen to handle this affair. And before anyone is tempted to sharpen their tongue in these quarters, I would urge them to take a long, hard look in the mirror and give their own mouldering prejudices a proper audience. Let your venom pour forth in solitude, and spare the rest of us the rot.

 

As to how the film will fare, I do not pretend to know. But this much I will say: if your mind is not already sullied by pettiness, I encourage you to go and watch it. If, however, your head is already brimming with rubbish, then by all means, go and have it topped up—you deserve no better.

 

Fawad Afzal Khan is like a brother to me, and Imran Abbas Naqvi is my family. And I will always stand by my family. The fleeting applause of the public, however loud, means little to me. Blood, and the fidelity of love, mean everything.

 

 

Postscript: LET THIS BE READ WITH AN UNCLOUDED MIND AND AN UNTROUBLED HEART.

 

A Word of Caution:

 

 

This reflection is not intended for the zealot, nor for those whose convictions leave no room for charity. Let the intolerant and the immoderate pass it by—for truth makes no lodging in a mind already barricaded against it.

 

I do not deny that the producers had staked a considerable fortune upon the film’s success. It requires no particular genius to surmise that by now they have not only recouped their investment but have likely profited handsomely through endorsements, partnerships, and auxiliary commercial channels. The film industry is no tender terrain—it demands both nerve and resilience. And yet, let us not lend it more gravity than it deserves. The real loss here was not the seed but the surplus—the anticipated windfall from box office returns.

 

And let us be honest—this was never truly about cinema, was it? Two nations, long embroiled in tensions for reasons they themselves barely comprehend, found themselves once more in a familiar scuffle. And who, as ever, bears the heaviest burden? Not the architects of conflict, but the innocents who merely wish to live, to love, to create.

 

The hostilities between these neighbouring states did not erupt yesterday—they were ignited decades ago when politicians discovered that animosity could be minted into gold; that fear could be used to draw borders deeper than those inked upon maps. This is not merely about politics—it is about the disfigured, degrading theatre that passes for politics. But even beyond that sordid stage, this was about loyalty: to friendship, to brotherhood, to the sacred bond that exists between hearts who have stood by one another.

 

And in yielding—so publicly, so compliantly—to the dictates of those who would make puppets of artists, you declared by deed, if not by word, that profit holds dominion over principle, and that all our high talk of affection collapses under the weight of coin. I do not deny the complexities you faced; I sympathise. But I cannot condone it. For to abandon a brother in the face of pressure, to disown a friend to appease the mobs, is not merely betrayal—it is akin to partaking of his flesh whilst he still draws breath.

 

Let us, if only for a moment, cast aside the tangled webs of ideology and examine this matter with an unclouded eye. Countless films never see the light of day; they lie forgotten in cans, consigned to the dust of history. Ae Dil Hai Mushkil could well have joined their number—and that, perhaps, would have been the nobler course. Better oblivion than to trumpet so loudly the creed that money is everything, and all else is expendable.

 

There were, I dare say, other paths—roads less base. Could you not have considered alternative means of distribution? Could the film not have been offered through digital avenues, or broadcast in neutral territories, where no flame of jingoism would set fire to its spirit? Was it truly impossible to exercise that creative ingenuity which you so often boast is your métier?

 

Have not the Americans filmed beyond their shores, and the English shot their dramas upon foreign soil? Was there truly no way to continue creating with the very people you once revered—no way that would both preserve your integrity and sidestep the politics of hate?

 

And yet, like frightened cats doused in cold water, you shrank back. Under the glare of public fury, you revoked your love with chilling haste, vowing never again to collaborate with those whom only yesterday you called brothers.

 

This, dear reader, is what the love of money can do. It can turn affection into expediency, fidelity into farce. It can make decent men behave in ways so pitiable, so small, that one is left not merely saddened, but ashamed.

 

To live amongst those who praise us when we serve their interests, and disown us the moment their standing is threatened—that is a sorrowful burden. But more sorrowful still is when we, knowing better, choose to become one of them.

 

Yes, it was, in many ways, a transaction of mutual benefit. Our own creative industry, finding itself increasingly fatigued—it’s well of talent rather parched—looked across the border for fresh vigour, for the kind of panache that could breathe life into roles long suffocated by monotony. It is no secret, after all, that many of our so-called stars have outlived their artistic merit, their presence more burden than boon, their fame an inflated bubble paid for not in merit but in myth. In contrast, those from across the divide sought the reach our industry offered, to give their artistry a wider berth, and that, too, was fair.

 

But here is where we must acknowledge a rather inconvenient truth: those very artists from “the other side” had within them not only a natural physical grace, but a cerebral command—a combination which, had they so chosen, could have surpassed us with ease. We, meanwhile, had squandered our inheritance by exalting mediocrity. We continue to hail flop shows as ‘saleable,’ to enshrine the talentless and crown them as kings, all while neglecting the few genuine craftsmen—those writers, those visionaries—who still labour in the background, creating brilliance with ink rather than glamour. I daresay it is high time we rouse ourselves from this daydream of delusion and squarely face the reality we have so long postponed.

 

Just a few days ago, someone asked me with incredulity, “Why this pining for them?” 

 

To which I can only reply with wounded honesty: “You would show greater respect to a dog in this land than you would to a man whom I love as a brother. And then you dare ask why my heart aches for him?”

 

Let me be utterly clear: it is no crime to love—neither by law, nor by conscience, nor by any code of honour I recognise. To love another human being, regardless of where they were born or what flag they salute, is not treason—it is humanity. And no one—no evangelist, no mob, no sanctimonious patriot—has the right to question my loyalty merely because I choose to cherish a brother for who he is, and not for what I might gain by association. I am as much a child of this soil as any man who waves its flag. This is my motherland too. And if my nation finds itself entangled in a quarrel with another, why, I ask, must I as a civilian be forced to bear the cost?

 

Why not, instead, drag to account those whose decisions have led us into this mire? Why not fix your indignation upon the architects of discord, rather than vent it upon the innocent, the apolitical, the ordinary folk who ask only to live and to love in peace?

 

I must say—and I say it with as much restraint as my conscience will allow—that I am weary of being asked, time and again, to prove my fidelity. Disagreements are natural, even necessary; dissent and disapproval are woven into the fabric of any vibrant society. But to descend into slander, to hurl vulgarities, to reduce a fellow human being to the status of a beggar by mere word—such behaviour is not only unbecoming, it is shameful.

 

And yet, we are in an age—how tragic to say it—where grace and civility are not merely absent, but ridiculed. Where decorum is dismissed as pretension, and politeness mistaken for weakness. But the highest strength of man, I believe, lies in his ability to adapt, to uphold his dignity even amidst degeneration, and to draw goodness from even the foulest of circumstances.

 

By all means, let us disagree—openly, even passionately—but let us not trample upon another’s dignity in doing so. Let us never justify hatred in the name of patriotism, nor weaponise creed, origin, or name. Let me ask plainly: had the names in question been Anil or Adam, would there have been such an uproar? Would they have been banished from our screens and bantered about as enemies?

 

You and I both know the answer.

 

What would I have done, had I stood in that place? Permit me to explain it thus:

 

Let us imagine that war has erupted between two nations—again, alas, not an uncommon spectacle in our fractured world. Amidst the rattle of sabres and the deafening roars of nationalistic pride, I look not at the banners nor at the borders, but at a man. A man who has, for more reasons than can be counted on one’s fingers, become a brother to me—not by birth, perhaps, but by bond. He has stood by me in seasons both lean and plentiful. He has shared his gifts with my nation, and my nation, in turn, has traded handsomely on his talent. There has existed between us an unspoken pact—not merely commercial, but human: an interdependence, a silent understanding, as all lasting relationships must inevitably possess.

 

At some point, this man—initially viewed perhaps as a commodity—becomes something more. Familiarity gives way to fraternity. He no longer remains a figure on a poster or a name in the credits, but a soul with whom one has shared laughter, toil, and trust. And then, just as swiftly, comes the test. At the first stirrings of unrest, what do we do? We flee. Like the proverbial jackal who, in the face of distant thunder, abandons the very kin who once sheltered him, we retreat—not out of wisdom, but cowardice. When, in truth, that is the moment to draw near, not withdraw.

 

Would it have cost me? Yes, no doubt. But I would have let the accursed money go. For life, dear reader, is not—has never been—about profit margins. Life is about love. It is about the sacredness of human relationship. It is about my brother. About bonds not forged in blood, but in that rarer substance—loyalty. And for such a bond, I would lay down my very life without hesitation. I would not trifle with it by choosing gold over man. I would not prostrate myself before empty-headed bullies, nor retract my truth merely to appease those whose appetite for power is fed by hatred, and whose coffers, ever growing, remain insatiable whether I draw breath or not.

 

Will some now call me a traitor? Very likely. Those who laud the fallen—men perished not by fate, but by the mess of their own making—as martyrs, are often quickest to vilify the voices that question them. They who drive luxury cars and sport designer garb are the loudest in calling others dishonourable, failing to see the hollowness of their own grandeur. Yet they forget: one’s brother may forgive an insult—that is the virtue of his tehzeeb, his culture—but the one who betrayed him shall never again meet his eyes in peace. For such treachery, if there be any conscience left at all, corrodes the soul more surely than rust corrodes iron.

 

Let them not forget: I can adopt another homeland. But I shall never find another brother. The ones who bowed to the pressure and followed the convenient path have made it unmistakably clear—they valued only their interests. “We needed you,” they seem to say, “we used you. And now, seeing in you a threat, we discard you.” If I were in your place, I would walk away from such fair-weather friends, who sell their love like a commodity and abandon honour for comfort.

 

And yet, even in the thick of this absurd tempest, there are those—yes, from across that imaginary line we call a border—who have responded not with rage, but with grace. Who have spoken not of retaliation, but of peace. Who have shown a concern not only for their present, but for the children yet to come. To them, I bow. To you, I say—I do not know if you shall ever understand the depth of what I feel, but I love you. Deeply. Not for your name or your place of birth, but for the light you have brought into my life.

 

You matter to me as much as these others do. I care not for stature, nor for stardom, nor for the vanity of fame. An actor can be hired. A performance purchased. But that rare intimacy between two human hearts—unsullied by agenda, unmeasured by gain—that is not to be gambled away, even in a storm. That, above all, must be preserved.

 

It is in such moments of trial that we see our true selves—our bare, unvarnished selves. And those who have failed in this test have shown what little fibre they truly possess.

 

Forgive me, if I have repeated myself. My mind, once bridled, has now poured forth like a volcano long suppressed. I know too that I have been emotional—but what is life if one is forever calculating and guarded? Caution has not saved us from ruin, and apathy has birthed no miracles.

 

And so, when this manufactured madness finally burns itself out, I await with quiet hope the arrival of Tum Bin 2—a film written, co-produced, and directed by my bade bhaiya, Anubhav Sinha. With my friends, the charming Aashim Gulati, the chiselled Aditya Seal, and the ever-graceful Neha Sharma, perhaps it shall remind us—if only for a few hours—of beauty, of gentleness, and of joy. God knows, in these grim times, we need such reminders. We need art, not acrimony. Light, not loathing.

 

Let us at least attempt, in this world we have marred, to leave behind something finer for those who shall inherit it.