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IN LIEU OF DEATH ~ Sushant Singh Rajput


Death came for me on the 14th of June. No, it did not arrive at all in the way I had always expected it to – there was no blinding white light, or some demon dressed in black. It came like an assassin in an unruly ambush, and took me as I was, totally unprepared. 

 

It left me to grieve the loss of someone very dear. Only I’m just not sure who: whether it was the someone dear who went with bodily death, or us, that the someone dear left behind as dead, I do not know. I only know that this is going to be a yearly occurrence. 

 

 

 

In an hour of my having posted that on Facebook, the doorbell went off. I answered the door in my boxers to see a friend who said she was giving me exactly ten minutes to change into something more presentable. Once I was changed into jeans and tee, she towed me along to a place I had not been to before: an assembly of individuals who had faced the loss of a loved one. Not someone comfortable in unfamiliar environments, I began to feel queasy, but before I could have a word with my friend, a woman called out to me and invited me to join her and five people that had gathered in a small circle. I ambled along and drew a chair as a pleasant sounding man looked at me. “You are new here, right?” he asked me as I sat. Dumb question I thought, and wanted to tell him to get to the point, but, of course that was not how I would behave, and so I said nothing but merely moved my head in agreement. “What’s your name again?” he said. Another dumb question because I hadn’t shared my name yet. I turned and smiled at my friend collectedly, in order not to make her feel awkward, because I knew she was reading my facial vocabulary, and it reflected that I thought rather poorly of such support groups. I kept a straight face and stated my name. “Welcome, Mr Khan,” he said in his pleasant voice, “is there anything that you would care to share with us?” I shook my head. He didn’t take that as a rebuff and went on about how I should start to tell them who I was grieving for. I looked at the ground for a few seconds and thought that the floor could make do with a bit of cleaning. Then I breathed and looked up. “My best friend.” He gave me a look of having understood me, which I am certain he did not, but since he was trained to talk and behave in a particular way, he pretended he had understood me, and I pretended to let him fool himself that he had. “And did you lose her recently?” he asked. “A little over eleven months ago,” I replied. “And may I ask how you lost her?” I looked at him piercingly at first, and then calmed myself in a flick. “Suddenly,” I said, “I lost him suddenly.” He once again made a face with the expression that he had understood what I was feeling when he did jack. “Well, would you like to share with us about how you are feeling, or?” I shook my head and turned again to my friend who muttered a muted please. “Look, um, I don’t intend to sound . . .” I paused, reflected, “but this whole process,” I glared at the man directly, “I–I think that I’m at a different stage, or . . .” He cut me and said, “Well, the healing process of grief takes place in five different stages.” I was now furious at this dumb-fuck talk, and it was openly showing. “And what does this process do? Does it deal with my loss by helping me bring the person that I have lost back into my life?” He was flummoxed at my brazenness. “Any process is only supposed to act as a framework, a loose framework of the grieving process, accounting for everything from the grief of losing a loved one to the grief of somebody who is dying himself.” I lowered my head and reflected for a second, gathered myself and stared square into the man’s eyes – “Is there a difference?” He was quiet. “Is there?” I asked again. “Um . . .” he said, his demeanour a clear indication of his own inability to help me in any manner possible other than what his training or transcripts had taught him. I dipped my head, more as a token of politeness, and then stood up, winked at my friend, who was now thoroughly mortified at my behaviour and walked away. 

 

My friend followed up behind me. “I took you there for a reason you fool,” she scowled, “I took you there to help you overcome your grief, and also because I am so fucking worried that if you don’t talk,” she halted and looked about here and there, “that you might also end up dead . . . so at least you could have heard them out, right? At least!” I took in a lungful of air. “This ‘at least’ is what fucks everything up,” I told her, exhaling the air with a rather dramatic air. She narrowed her eyes and glared at me frostily. “People say all sorts of rubbish and then fit in words like ‘at least’ which are most unnecessary.” She hit me on my chest with her bag. “You’re being an arsehole,” she said. “Am I?” I asked, “Because as much as I appreciate what you are doing for me, I think that each of us have our own narrative of how we would like to deal with our angst . . . and the last thing anyone wants to hear is bollocks like it will be alright, or at least they lived long enough, or it was god’s plan, or they would want you to, or the classic – everything happens for a reason, etcetera, etcetera.” She hung her head down. I could see she was mildly ashamed. “Come on,” I said, grabbing her hand, “let me get you an ice-cream.” We got our cones and sat quietly on a bench as we watched people go by. “Were those people that repulsive?” I licked my ice-cream, spun round and faced her. “Like I said, everyone has their own method to process their pain, there cannot ever be a formula for it. Telling people to look at the bright side of it is like un-ringing a bell.” She smiled and repeated softly – un-ringing the bell. “What?” I asked. “Nothing,” she said bashfully. “When someone is in agony, being real may sound a bit rough perhaps, but it helps,” I said, “Something like – ‘I know what you are going through is hard, and I cannot say I understand what you are going through because I don’t, and I only hope that in time you will come to terms with it.’, can be one way to make someone feel real about it.” She reached out to my cone, took a swirl of my ice-cream and handed it back to me. “What’s been the hardest part of this for you?” she asked as she ruffled my hair. “Also, ‘Would you like to talk about it, or would you like to talk about something else?’, works splendidly too,” I replied. She smiled. “I get it.” I smiled too. “We just have to let people know that we are with them . . . we shouldn’t be putting words into their mouths because that is not what they would be needing. Practical support, even if it means to be with them in silence, is sufficient to get most ships across to the shore.”

 

When a person close to us dies, everything changes. It is as if a cyclone has swept and washed everything away. Everything appears meaningless, unfamiliar and empty. Some even tend to question who they are considering that a large sense of their identity was bound to the person they have lost. Dogmas, optimisms, aspirations seem utterly vain and tend to dissolve with time, and as cliché as it sounds, time stops. 

 

“So what form of death do you think is the hardest to accept?” she asked, slurping from her hands a large drop of ice-cream that had trickled down. “You think one can rate one over the other?” I asked, rather puzzled at her query. “I mean, you know,” she said stammering. “It could be the passing away of parents, siblings, partners, friends, spouse, it could be the loss of an unborn child to abortion or miscarriage, anything can cause bereavement.” She was absorbing what I was telling her, and it was evident that she was thinking something as I was speaking. “Out with it,” I said. She giggled. “I think tragic and violent deaths might cause more pain than the others.” I rolled my eyes. “Say an accident, a murder, a drowning, or suicide,” she paused, “disease, heart attacks too.” I nodded at her rather harsh reflections. “Expected or unexpected, gradual or sudden, any death is devastating,” I added. She got up and walked a few steps ahead, spreading her hands wide as the cool breeze caressed her skin. “Why did you behave that way in there?” I got up and walked up to her. “Really? After all that I’ve told you.” 

 

While she thought that talking to strangers would help me get over the loss of Sushant, it would have been impossible for me to make her understand not to meddle with the agony of others after I had already made my mind clear to her. What was it with some people, I wondered to myself – they are helpful and they are caring, but do they ever get anything?

 

“Tell me? Tell me!” she nudged me. I said nothing although I knew that her intentions were noble, only her intent was enormously incorrect – it was difficult to make someone understand that you miss the time you had with them, and that you may get over the pain in time, but you don’t really get over the passing of someone important to you, and this is the fundamental aspect of mortality that the world at large gets fully wrong. The people who care about you, they want to help you, they are worried about you, but the truth is that nobody can help you, nothing anybody says can make a difference. 

 

“What are you thinking now?” she asked me. “About the positive side of loss,” I answered. She studied me warily. “I think that while the death of the loved one destroys you, there is also a great positivity to be found in it.” Her eyes now became attentive. “We change as people . . . radically change . . . and this results in people becoming more open, intuitive, realistic, self-loving and gentle.” She slipped her hand into my hand. “I know what you mean,” she said kind-heartedly, “I have observed that people adopt a fresh set of values in life. They develop a stronger desire to help others, contribute to the world, prioritise relationships over money and materialism and spend more time with the ones they love.” I grinned upon hearing those words from her as I thought to myself that the one thing that is clear is that life chugs along, you accept and adjust without the person in question, but you do not get over the bereavement, ever. 

 

 



*In memoriam of my friend Sushant Singh Rajput (1986-2020) 



THIRTY DAYS ~ Sushant Singh Rajput




Iss umeed se dil behalata rehta hoon 
Ke tere manzil ke taraf mere kadam aate hain 
Bas kuch dino ki hi toh baat hai
Iss hi umeed se dil behalata rehta hoon 

Ab na aankhon mein hai namee
Aur na dil mein woh dukh
Bas kuch dino ki hi toh baat hai
Iss hi umeed se dil behalata rehta hoon

THE INVISIBLE HAND OF NATURE



I sometimes feel that language is miserably insufficient when it comes to having to express what one wants truly to express, except of course, when you are talking about someone who surpasses the worldly metaphors and clichés, someone who has such a marvellous sense of humour that even the toughest moments would be made light when around him . . . someone who fills the insufficiencies of language as I aforementioned with such grace and acuity that you have nothing but great admiration for such an individual’s refinement and stability. And so, before I tire you with any more of my rather (inefficient) words, I would like to acquaint you, in complete humbleness and pleasure with Doctor Muhammad Asif Nawaz, whom I admire from every cell in me. 

To say the least, Asif is a doctor registered in the UK, he is in the PAS, the 46th Common. He is a freelance writer, or so he claims, and I would leave you to decide whether he is ‘freelance’ or a ‘master’ once you have read his words below and looked him up online to understand his full genius. He is also an amateur filmmaker, a marvellous photographer, a hopeless wanderer, a third degree procrastinator, and for better, or for worse, for me, well, he is he – a brother in a buddy who is assuredly and distinctively treasured, someone immensely rare, and without whom my life would be most meaningless and bare.

Excerpt on Asif from the Humans of CSA that was published on Tuesday, the 9th of April, 2019. 

If I had a dollar for every time people warned me against being a passenger of two boats, I would have totally done away with the idea of boats and would charter a plane to go around the world. But this life, it’s peculiar. It’s beautiful. And demanding. You always have to take your leaps of faith. And no one ever gives you enough dollars to charter a plane. My story is not about perseverance or rising against the odds - there are far too many people in CSA who I look up to in that regard. It’s about taking risks, exploring unchartered territory, and gratitude. So much gratitude! Belonging to the city of Abbottabad, I studied to be a doctor. It was in the three months after the completion of my house job that I decided to prepare for CSS - undergoing a surgical procedure while at it. After taking the exam, I geared up for the post of a Medical Officer in Khyber Pakhtunkwa’s Public Service Commission, and ended up being second in my district. Afterwards, I eyed the FCPS Part 1 exams; cleared them; and started my training in medicine as I took IELTS with watery eyes - a remnant of the recent LASIK I had had. After the written result came out, I booked my PLAB 1 exam, which, as the invisible hand of nature would have it, fell one day prior to my CSS psychological exam. (In hindsight, I made through both). I prepared for the interview while attending to the incessant line of patients in my ward. After being granted a leave from my ward, I left for the UK to prepare for and take the next step of the licensing exam, which I passed. And as the final result of CSS came out, I had topped in my province. But it’s not just this, grappling with the various opportunities that life throws at you while not losing sight of things that make it worth-while, like traveling, learning, socialising and experiencing, was the real task. Never forgetting your laughable insignificance, nor your towering significance. And as the invisible hand of nature would have it again, I received my arrival letter to Civil Services Academy and final registration to work as doctor in the UK almost on the same day. But this life, it’s peculiar. There’s so much to do. And you always have to make defining, hard choices. You can only hope, and take a leap of faith. With a silent prayer, with a handful of passion. Oh, and no one ever gives you enough dollars to charter a plane. 


Asif Nawaz
PAS – 6th position overall
1st from KPK
*Admin 46th*

KPK is Khyber Pakhtunkwa. It was called North West Frontier Province (NWFP) before 2010.


All right, some of you say, I have read the above and I think I get a fair idea about Asif. I smile and bob my head knowing that there is a ‘but’ to follow, and before I say more, you ask: but what is the intent of this? I purse my lips and take a deep breath. You wonder whether I am about to say something of great significance judging from my demeanour, but instead I utter, no actual intent, really. You narrow your eyes and look at me like I am barmy. I laugh and tell you that you aren’t wrong in your assessment because I am indeed as barmy as they can get, and that I only wished to share with the world what some people mean to me, people who make me, me. I can see that you are flummoxed. To soften the point, I pat you quickly on both your shoulders and elucidate that you should celebrate life and acknowledge every single soul who makes a difference to you because not until most recently, when I had lost a very dear friend in Sushant Singh Rajput, who, like Asif, was also a brother to me, did I understand the tangible eminence of time and of the prominence of people and how we take them so for granted. I tell you that that was my intent – a reason enough to tell the world that I am grateful for each of them who make my world as glorious and wonderful as it can be, and that without them I am nothing. You remain in a state of sheer bewilderment when I articulate further that Sushant and I used to have these impassioned arguments about my intellectual property wherein I would apprise him that a portion of it I am setting aside in my will for him, and as if to enrage me he would chuckle and mouth in his landmark intonation that there was no guarantee that he would outlive me. You pretend to be interested and I can see right through you, but I am rather absorbed in my memories, and that I have started, I do not intend to break my flow and go on that on one of those days when I had broached the same subject he had said, Agar main rahoon ya na rahoon. And before he had completed whatever that he had intended to convey, I had blurted an expletive, and Sushant being Sushant had comfortably disregarded my extreme reaction and concluded, Ho tere naal rahu meri parchhayi ve. I had remembered slaying the call and not speaking with him for a week after. However, in hindsight, I had cared less for what he had meant by that then, or perhaps I hadn’t even understood it, and when I remembered it today, I messaged Asif asking him what it meant. 

My spirit/shadow remains with you. 

Came the prompt reply. 

And that is the essence of life is it not: the spirit and shadow of those you love remains with you whether or not they are around you physically. 

You shake your head and walk away thinking what an arse I am for having wasted your time, and I feel a sense of relief that I did not have to rid the unwanted from my life, that they rid themselves by themselves, and then I remember the words of Asif – But this life, it’s peculiar. It’s beautiful. And demanding. You always have to take your leaps of faith. And no one ever gives you enough dollars to charter a plane. My story is not about perseverance or rising against the odds - there are far too many people who I look up to in that regard. It’s about taking risks, exploring unchartered territory, and gratitude. So much gratitude!

And so I take a bow of gratitude for the one gone and the ones here. Thank you both and thank you everyone else who make me, me! 



FIFTEEN DAYS ~ Sushant Singh Rajput



Aye mere maula 
Yeh toh mera apna tha
Aur aapne isse aise hi utha liya
Kabhi yeh na socha 
Hamara kya hoga yahaan 
Aur hamare bina
Uska kya hoga wahaan.


SEVEN DAYS ~ Sushant Singh Rajput



TERE BINA 

Woh jo guzre the tere saath kabhi,
Wohi lamhen meri hayaat bane.

Saat din ke aise hi guzar gaye!

Lekin
Kaise, jiunga kaise
Bataa de mujhko
Mere bhai
Tere bina.…


A THIN LINE ~ Sushant Singh Rajput



Sushant by Mario Testino for Vogue





(21st January 1986 – 14th June 2020)



There lies a peculiar panic in the mood of the present-day man — a panic more profound and paralysing than any spectre of death or poverty: the dread of one’s own self. Not merely the horror of solitude, nor even of failure in the world’s eyes, but the subtle, gnawing terror of confronting the depths of one’s own feelings — the very heart of reality as it pertains to the inner life. We are trained from infancy to take flight from discomfort, to sidestep sorrow, to consider pain a form of fallacy rather than a solemn instructor. And so, when love — that wild and untamed herald of joy and hardship alike — visits us, we stand ill-equipped, too frightened to fully receive it.

 

The world speaks of love in rhapsodies and songs, books and sermons, as though it were a gentle salve, a warming light, an unbroken arc of sweetness. Yet this, as the poet Jim Morrison so unflinchingly declared, is nothing but a convenient illusion. Love does not merely uplift; it wounds. It disturbs the soul to its foundations. And the fear of this disturbance, the mortal dread of woe, causes many to seal their hearts behind iron shutters. They flee from the only thing that makes life worth the trouble: the full and harrowing experience of being alive.

 

Psychological gloom, contrary to the thin advice of contemporary living, is not an enemy to be eradicated but rather a messenger sent from the innermost courts of existence. It is, as Morrison wrote, meant to awaken us. To numb it is to deny life its meaning. To shun it is to exile oneself from one’s own essence. For despondency is no mere bodily sensation; it is the crucible in which the soul is refined. To carry cerebral misery, not as a burden to be banished but as a companion, even a teacher — this is the heart of what it means to be human.

 

And if one dares to hide it, to disown one’s own anguish, as if the very act of feeling were shameful, one surrenders their own soul to the frosty machinery of societal expectation. The world demands from us the pretence of composure, the mask of indifference, the convenient fiction that “time heals all wounds.” But there are wounds so cavernous, so searing, that time is powerless to dull their edge. These wounds become part of the very constitution of the self. They shape us, mould us, and at times, leave us burrowed, scraped and changed beyond recognition.

 

As I scrawled these rudimentary words, I realised that they now live within me, as they must in anyone who has stood face to face with grief. Words, as I have learned, are astonishing things — they can build worlds, mend hearts, and just as easily destroy them. But feelings, ah, feelings care little for the establishment of language. They arrive unbidden, raw and elemental, rendering all speech clumsy and insufficient. They leave you standing like a wanderer in some vast, uninhabited desert, isolated, bereft, and cold. Like some silent predator, dolour strikes in the unguarded hour. It disorients, abolishes the boundaries of time and space, and hurls one into an abyss from which, at first, there seems to be no returning. And in this abyss, the only honest response is not the stiff upper lip, nor the counsel of false expectation, but the most human act of all: to cry. Whether in violent torrents or soft, unbidden tears that come without warning — to cry is to give vent to ruth, to acknowledge its rightful place in the human heart.

 

I cry for Sushant. My brother, my fellow pilgrim of thought and wonder, my soulmate — not in the shallow, romanticised sense of the word, but in the truest and most unadorned fashion: the companion of my mind and my heart, one with whom the silent things could be spoken aloud.

 

He was a man driven not merely by ambition, but by an unquenchable thirst for the infinite — a seeker, in the grandest sense. His strain, I believe, arose from that most peculiar affliction of the human soul: the longing for what cannot be. The longing for impossible things. For a world just beyond the reach of fingers or fate. Nostalgia for a past that never was, yearning for a future that might have been, regret for roads not taken, and the bitter dissatisfaction with the world’s faint imitation of the true and the beautiful.

 

In the twilight of such longings, he and I would talk — about art and literature, science and sex, philosophy and music, the aching beauty of Rodin’s sculptures, the fathomless verses of Rilke, the delicate brushstrokes of Monet, the infinite skies above and the restless earth below. His mind was a constellation of these things. Our friendship was woven of words, of handwritten letters, of books exchanged, of midnight phone calls that turned into dawn. I remember, as if it were yesterday, those nights when the world was silent and he would call me: “Bhai, neend nahin aa rahi, yaar, chal baat karte hain, yaar.” (Brother, I am not able to sleep. Would you care to indulge in a spot of conversation, mate?) And the thought that I will never hear those words again shakes me to the core.

 

The world will speak of closed doors and the opening of others. Sushant himself once counselled me not to take the world too seriously, not to despair when it seemed the universe had bolted its doors against us. How then, I ask myself, could such clarity of thought not have shielded him? The answer, I know, is simple and yet unspeakably sad. He was human. No more, no less. And no fortress of intellect, no army of admirers, no gallery of laurels can fully armour the human heart against its own silent wars.

 

His demand for perfection — both in himself and others — became both his shield and his scourge. In a world awash with mediocrity, as Anand Ranganathan so aptly put it, he was a man searching for a library in a fish market. It was an impossible quest, and perhaps it broke him more than the world could see. The digital age, with its venomous chorus of anonymous detractors, drew his temper and wounded his spirit. I would often call him, urge him to disengage, to turn away from such trivialities — and like the gentle, trusting brother he was, he would say simply: “Done.”

 

And so, the haunting question lingers: Did we fail him? The human mind is fond of postmortem heroics, of believing we might have altered the course of providence if only we had acted sooner or spoken louder. But the unpleasant truth, one that I have come to accept with both humility and dread, is that we did not fail him. None of us could have saved him. His own strength, his own intellect, his own vulnerabilities formed a storm cloud so vast that no earthly hand could reach him in that final, fateful moment.

 

Fate — that old and unyielding master — called him home. Some will think this icy or unfeeling, but it is, I believe, the clearest truth. We do not choose the day of our departure any more than we choose the day of our arrival. When the hourglass empties, it empties. Whether in triumph or in despair, the journey concludes.

 

The film world, as I have heard from those who knew it intimately, is a strange and cruel playhouse where rejection is a constant companion. To dwell too long in that world can convince even the bravest soul that they are unloved, unwanted, and unseen. When such beliefs settle upon the heart, they shape sensibility itself, turning perception into prison. But Sushant — the Sushant I knew — was not a man who took surface voices to heart. He was too much a student of life to let the unlettered judgments of small minds steer his course. The world did not take him; destiny did.

 

And so, I find myself repeating the plain, terrible truth: I have lost a confidante. I have lost a part of myself. Words like “condolence” and “acceptance” mean little in the face of such a loss. Until now, I had thought I understood the bereavement of others, but the experience itself renders all prior sympathies hollow. There is no preparation for such a vacuum. There is no cure for such an injury. And though the living will carry him in thought and memory, none of us will ever be the same.

 

Loss, I have learned, is a dual ache. First comes the knowledge that the much-loved is no longer suffering, and yet, this brings no true peace, for we do not know the fate of souls beyond the veil. The second, and sharper, is the anesthetising absence in the world we still inhabit, the recalling of their voice, the void where once their laughter dwelled. We weave hopeful fictions to ease the agony — that they are “in a better place,” that “time will heal.” But beneath these phrases lies the unaltered twinge, which only faith and time can alleviate, never erase.

 

As Dickens wrote: “The pain of parting is nothing to the joy of meeting again.” And so I cling to that hope, dim and distant as it may seem.

 

I now reminiscence the haunting confession of Poe, another man who knew too well the cruelty of memory and the desperate escapes it inspires: “It has not been in the pursuit of pleasure that I have periled life and reputation and reason. It has been the desperate attempt to escape from torturing memories, from a sense of insupportable loneliness and a dread of some strange impending doom.” These words, I believe, fit Sushant’s heart like an epitaph, for he, too, lived by his own laws, indulged in his own beautiful strangeness, and ultimately could not outrun the shadows within.

 

So go, my dearest brother of the soul, and regale the world that now holds you with the richness and boundless love you so freely gave to us here. You are, and will forever be, that very love, wherever you roam.

 

 

THIS IS THE FIRST STEP ~ Sushant Singh Rajput



The media is rife with the news of Sushant Singh Rajput wanting to provide free education to needy children who will be chosen wisely against a set of tests of merit. If the children clear the test, they would be granted a year of free education, and as an incentive not to render the spirits of such chosen children lackadaisical, the children would have to appear for another test at the beginning of the next academic year if they are to be eligible for their education being supported for the consecutive year. Says Sushant, “This is the first step, and we will work on other models. I think this process will give kids a new excitement and encouragement to study and make themselves more competitive.”

A studious lad who had cleared multiple engineering exams, Sushant was born and brought up in Patna. Right from an early age he was rather eager to study abroad, but the circumstances were not conducive for him to pursue his dreams any further. “My mother always taught me that we educate our children not to become doctors or engineers, but that the impact of basic education reflects on their thought processes and decision making,” he says. As you can infer, he is doing whatever he is doing in honour of his mother, who is no more. As admirable as it is, the dichotomy is that in this age; where nearly everything is short-lived, do we receive such deeds of benevolence with a sense of gratitude, move onto what’s the next sensational story to make waves, or, do we build on it with a goal of permanence, just so that we may create a little bit of Sushant Singh Rajput in each of us? That I leave to each of you to introspect and arrive at your own answers.

Education is one of the vital tools that favour humanity for the betterment of it. Education provides you the ability to discern between the good and the bad, the right and the wrong. Education grooms men to be gentlemen, and women, ladies. A good head and good heart are always a formidable combination. But when you add to that a literate tongue or pen, then you have something very special said Nelson Mandela, and even though a formal education has all the properties of helping you make a living, it is self-education that is a sure means to make you a fortune. For that reason, a fire to learn must be kindled in kids. They ought to be made to desire what they are learning, considering the mind is constructed in such a way that it retains nothing that it takes in, if it is not something it finds appealing, and that is something that people can expect from Sushant and his endeavours: the propagation of encouragement at the very grassroots.

I have believed in a simple philosophy that at the end of your life you will know that nothing you have done will ever matter – only who you have been while you have done it. And in keeping with my own philosophy, I have only one thing to say – don’t merely like what Sushant Singh Rajput is doing; strive to be like what Sushant Singh Rajput is. Be the fire that lights a million lamps, for the mind once enlightened, as Thomas Paine said, cannot again become dark. And in giving to the world would be the best honour you can be giving Sushant Singh Rajput.   

KAI PO CHE - Ek insaan ek insaan ke kaam nahi aayega kya! ~ Ishaan Bhatt



Kai Po Che completed 4 years today said our Gattu (Abhishek Kapoor) and how surreal really that I found this piece that I had written on the 6th of April 2016 as I was looking for something else just this morning on my laptop. Sharing it unedited and raw as I had written it. Kindly forgive any inconsistencies and slips. 

The motion picture, that left its permanent place in each of our hearts had Amit Sadh and Rajkumar Rao who were such a delight to watch in it as well. 




The voice of reason is permanently silenced. That is the stark-naked truth of life, and it could not have been represented any better than in the illustrious charisma of Ishaan Bhatt brought to life by the multifaceted Sushant Singh Rajput in Kai Po Che. Ishaan Bhatt lives life the way we should all live – unapologetic and unprecedented, and by playing Ishaan, Sushant has engraved himself as a man of great substance not only in Kai Po Che but in every motion picture he has done since.

Sushant’s instinctive aptitude in picking scripts that emit originality and substance is commendable. The public, who is on a staple diet of rubbish, normally writes away such movies, and yet Sushant’s choices, despite being more abstract than unconventional, have been commercial and critical triumphs. To have chosen a role of somebody who stands his grounds regardless of the world’s estimation of it simply because he knows he is not wrong is not easy for a newcomer to embrace. He did it because he knows that you have to do what is right for yourself and not to please the world. He takes up roles with ‘essence’ simply because he understands the devastation of grief. He understands that life changes in a flick and if you do not do something worthwhile today, then you will never get a chance to do it again. Is he worried of a backfire? The Sushant I know cares little for the opinion of the absurd. He sees through the façade of human faces and knows that he has to follow his heart and not a mirage. Loss has acquainted him with erosion of feeling. It has robbed him of a bit of the essence of life and because of that he will not find himself swayed by the sheep. He is like the sea, measures the depth to make sure he protects than drowns. He is like wind, that dances on your skin rather than knocking you off the ground. He is like fire, that warms you to the bone, not destroying what comes in its path.

My next Sushant outing was Detective Byomkesh Bakshy made by my friend Uday Chopra’s Yash Raj Films. I once again was impressed how he shed his ‘hot and happening’ look to embrace one with unshaved eyebrows and grungy attires. The only other mainstream actor who has explored such territories at the peak of her commercial success has been Vidya Balan.  


His dynamism further concretises the notion that we ought not to actively seek glory; we are made for it. That providence, in time, provides it to us by virtue of our integrity. And it is for this simple reason that I hold him in high esteem.

Yes, one thing I cannot see, and I don’t want to ever see, is Sushant dying on the screen. I don’t have the emotional or the mental ability to handle his death in any form. Any form! And I will be long dead before him, so...

Leaving you with a dialogue from his film Kai Po Che that most pithily sums up humanity at large –

“Abe, kya hogaya hai tum logon ko, yaar? Ek insaan ek insaan ke kaam nahi aayega kya!”