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WHERE BROKEN DREAMS GO


 

Some griefs arrive with sirens.

 

Others arrive secretly,

wearing the scent of your shirt,

settling beside me

while a vinyl record turns

with that familiar crackle—

each revolution another attempt

to bring you back.

 

I have learned that memory

has a sound.

 

It is the needle touching old music.

It is your laughter caught

between one verse and the next.

It is my name

only because it once belonged

inside your mouth.

 

And yours—

 

God.

 

Have I ever told you

how much I loved saying your name?

 

It felt less like speaking

and more like praying.

 

No one warned me

that love was a rose.

 

Everyone speaks of the bloom,

of crimson petals opening

like miracles in spring.

 

No one tells you

that sometimes

the thorns survive

long after the flower is gone.

 

I still wear your shirts.

 

Not because they fit,

but because they remember

the shape of your shoulders.

 

I still wear your necklace,

black against a black shirt,

as though mourning

could become a uniform.

 

Sometimes I hear a motorcycle

passing beneath my window,

and my hands instinctively reach

for a waist that no longer exists.

 

I am still holding onto you

as you ride through a city

that no longer has roads.

 

Only clouds.

 

You once told me

that dreams were worth believing.

 

I believed you.

 

And then I discovered

what becomes of broken dreams.

 

They do not disappear.

 

They wash ashore

on forgotten boulevards,

where lovers wander barefoot,

careful not to bleed

on the shattered glass

of futures they had already named.

 

If you have never stood

on such a boulevard,

you will not understand.

 

But one day—

when the universe chooses your house,

your heart,

your impossible hope—

 

you will.

 

You will learn

how heavy silence can become.

 

I still remember

the first time I saw you.

 

A video call.

 

Pixels.

 

A hesitant smile.

 

Two strangers

pretending not to recognise destiny.

 

You looked into my eyes,

and before either of us realised it,

my heart had crossed the screen.

 

No visa.

 

No permission.

 

Only surrender.

 

Then came our first kiss.

 

How extraordinary

that happiness

can hurt so much.

 

That night

I wanted the world to end—

 

not because I wished to die,

but because I could imagine

no tomorrow

higher than that single moment.

 

You taught me

that dreaming

wasn’t foolish.

 

When I stood

at the edge of myself,

ready to disappear,

 

you held my hand

with the quiet certainty

of someone who believed

I was worth saving.

 

Before you,

life felt like

an endless winter.

 

After you,

even London

could not feel cold enough

to frighten me.

 

Do you remember?

 

I told you

I was leaving.

 

Not to leave you—

 

never that—

 

but to become

someone worthy

of staying beside you.

 

“I need to get clean,”

I whispered.

 

“For me.

 

For us.”

 

Hope,

I have unearthed,

is the hardest promise

to keep.

 

Now the record

has stopped spinning.

 

The tattoo

will never be finished.

 

The feather

waits for a wind

that has forgotten its name.

 

The boulevard waits too.

 

Perhaps it always will.

 

Sometimes

the lights begin singing

without warning.

 

I hear them.

 

Every streetlamp

hums your favourite melody.

 

Yet I no longer dance.

 

How could I?

 

Every step

belongs to the one

who used to lead me.

 

I no longer sing

unless it is our song.

 

Even then,

my voice keeps looking

for yours.

 

Night after night,

I bargain with sleep.

 

Please,

 

let me dream of you.

 

Let me borrow you

for a few impossible hours.

 

Because morning

is the cruellest invention

the Maker ever made.

 

Morning insists

you are gone

all over again.

 

The light is off.

 

Your face.

 

My face.

 

An ocean

between them.

 

Tell me—

 

what could possibly exist

that is greater

than the miracle

of being loved by you?

 

Nothing.

 

Nothing at all.

 

People tell me

that time heals.

 

I think they mistake

scar tissue

for resurrection.

 

There are wounds

that simply become

part of the fibre

of the soul.

 

You are one of mine.

 

And perhaps

that is another name

for forever.

 

If somewhere

beyond this breathing world

you can still hear me,

 

know this—

 

I still love you.

 

Across oceans.

 

Across winters.

 

Across countries,

cemeteries,

and impossible distances.

 

Across every life

the universe has forgotten

to give us.

 

Until my bones become dust.

 

Until my name

is spoken

for the very last time.

 

Until even memory

falls asleep.

 

I will meet you

where the boulevard begins—

where abandoned dreams

grow into wildflowers,

 

where old vinyl records

play without ending,

 

where motorcycles

never run out of road,

 

where the lights

are forever singing,

 

and where, at last,

 

I shall hear you

say my name

 

one more time.

 

 

 

Postscript. 

 

This poem is dedicated to my dear Mikel Niso and his feature film, Boulevard (2026). The dedication is not born of obligation but of observation. It is an uncommon privilege to encounter someone so young who possesses not only evident talent but also the far less common virtues of humility, sincerity, and a heart untouched by vanity. Such qualities deserve acknowledgment. The poem, therefore, is my small tribute to both the artist and the young man behind the performance.


 





MUJH SE KISI NE POOCHA NAHIN - NO ONE EVER ASKED ME



MUJH SE KISI NE POOCHA NAHIN
main kya chahta hoon.
 
Sab ne bataya
mujhe kya hona chahiye,
kis tarah jeena chahiye,
kis cheez par muskuraana chahiye.
 
Magar kisi ne yeh nahin poocha—
jab main tanha hota hoon,
toh kis cheez se darta hoon?
Kis khamoshi se main roz guzarta hoon?
 
Mujh se kisi ne poocha nahin
main kis cheez se thak chuka hoon.
Woh bojh kaun sa hai
jo main roz bina shikayat uthaata hoon?
Woh sapna kaunsa hai
jo main sirf is liye chhod deta hoon
kyunki use chaahne ki ijazat nahin hoti?
 
Sab ne dekha
main sambhal jaata hoon.
Magar kisi ne yeh nahin poocha—
har baar sambhalne ke baad
main kitna toot jaata hoon?
 
Mujh se kisi ne poocha nahin
ke agar main ruk jaaun,
toh kya koi mere saath rukega?
Agar main kamzor pad jaaun,
toh kya mujhe bhi utna hi haqdaar samjha jaayega
jitna mazboot rehne par samjha jaata hoon?
 
Kya meri khamoshi raza hai
ya bas aadat?
Kya meri muskurahat sach hai
ya sirf ek zarurat?
 
Mujh se kisi ne poocha nahin
main kya chahta hoon—
shayad is liye
kyunki sab ko yeh lagta hai
ke mujhe bas sab kuchh theek rakhna aata hai.
 
Lekin agar kabhi koi pooch le—
toh kya woh sun paayega
woh jawaab
jo main khud se bhi darte hue chhupaata hoon?

 
A modest endeavour of mine: an English rendering of my Urdu poem, offered with all due humility.

 
NO ONE EVER ASKED ME
what I want.
 
They told me instead
what I should become,
how a life ought to be lived,
at which moments I must smile,
and for whose comfort.
 
No one ever asked—
when I am alone,
what shape my fear takes,
what hush I walk through
each day, unlit and unnamed.
 
No one ever asked me
what exhausts me.
What weight I shoulder
without protest,
or which hope I set down quietly
because wanting it
was never permitted.
 
They saw that I gathered myself,
time and again,
mistook the act for wholeness.
No one ever asked—
afterward,
what splintered out of sight.
 
No one ever asked me
if I stopped,
would anyone pause beside me.
If I faltered,
would I still be counted worthy,
or only praised
for remaining unbroken.
 
Is my silence agreement,
or merely rehearsal?
Is my smile sincerity,
or survival?
 
No one ever asked me
what I want—
perhaps because
those who hold things together
are assumed
not to need holding.
 
And if someone ever does ask,
will they listen closely enough
to hear the answer
I keep buried,
even from myself,
for fear it might be real.
 
 

REAL IS RARE


 

No one arrives unbroken.
We all drag something behind us—
a limp of the spirit,
a private ache,
a habit of wounding and being wounded in return.
Those who claim otherwise are either young,
or lying with remarkable confidence.

 

There is no such thing as easy company.
There are only varieties of difficulty:
the silent sort who corrodes a room by absence,
the volatile sort who shatters it by noise,
the charming sort who costs you years
before the invoice is presented in full.

 

So when—by some statistical aberration—
you meet a person who stays.
Not clinging.
Not performing loyalty like a public virtue.
But staying with the unglamorous labour of understanding—
listening past your first explanation,
returning after the argument has cooled into embarrassment,
choosing clarification over theatrics—
recognise the gravity of the moment.

 

This is not romance.
This is eternity.

 

Such people do not fall from the sky.
They are forged—
by loss, by disappointment, by having once loved foolishly
and learned, at cost,
how not to repeat the crime.

 

Do not let the crowd dismantle this.
Friends who mistake familiarity for wisdom,
family who sanctify tradition over truth,
voices that say blood is thicker
as though viscosity were a moral argument.

 

And above all—
do not let your ego,
that pampered tyrant,
convince you that solitude is superiority
and pride is dignity.

 

Ego prefers applause to peace.
It would rather be right than reconciled,
admired than understood.
It will advise you to walk away
at the precise moment you ought to sit still.

 

Consider the examples we are never taught to examine:
The man who abandons steadiness
for the intoxication of novelty,
only to discover that novelty has no memory.

 

The woman who confuses intensity with intimacy,
mistaking chaos for depth,
and calls boredom what is merely calm.

 

The family elder who vetoes happiness
because it does not resemble their own.

 

The friend who whispers doubt
because your growth threatens their stagnation.

 

These are not villains.
They are simply unexamined people—
and unexamined people are extraordinarily destructive.

 

Growth with another human being
is not a montage of shared holidays
or curated laughter.
It is the slow education of your worst instincts,
the patient redrafting of old reflexes,
the mutual agreement
not to weaponise each other’s wounds.

 

To grow with someone
means consenting to be seen mid-failure
and choosing to remain intelligible rather than impressive.
It means arguments that end in clarity,
not victory.
Silences that heal,
not punish.

 

This is rare.
Not poetic-rare.
Statistically rare.
Civilisationally endangered.

 

Most people want companionship
without the discipline it demands.
They want to be loved
without being known.
They want permanence
without responsibility.

 

So if you find the opposite—
someone who stays curious about you
after the mystery has worn thin,
who corrects you without contempt,
who does not flee when your shadow enters the room—
do not treat this as replaceable.

 

Do not test it for sport.
Do not sacrifice it to pride.
Do not confuse discomfort with incompatibility.

 

Because real connection is not loud.
It does not beg for witnesses.
It survives quietly,
like a well-built bridge
most noticed only after it collapses.

 

And when it is gone,
you will understand—too late—
that real was rare,
and rarity, once squandered,
does not return out of sympathy.

 



SHIT REMAINS SHIT



Call it dung, call it excreta, call it fertiliser if you must—
dress it in gold leaf, perfume it with French musk,
it remains what it is:
the body’s blunt rejection,
the indigestible remnant of appetite.
Shit is shit.

 

But the world is drunk on pseudoscience—
turning sewage into scripture,
dirt into doctrine,
men into messiahs.
We are lost, and the lost will cling to flotsam,
even if it is burning.
They mistake the reek of rot for incense,
and bow before it.

 

Politics plays this game best.
The Caesars of old staged bread and circus,
today’s leaders stage hashtags and wars.
We voted for “change,”
and got chains.
We trusted the Left, and were left behind.
We trusted the Right, and lost our rights.
The compass is smashed—
north looks like south,
truth looks like myth,
shit looks like art.

 

Shakespeare saw this decay:
“Sound and fury, signifying nothing”—
Macbeth’s cry echoes still in parliaments and palaces,
where men declaim virtue and practise vice,
where Lady Macbeth’s hand-washing
is the foreign minister’s press conference,
scrubbing blood from trade deals.

 

Philosophers warned us:
Nietzsche said we stare too long into the abyss—
now the abyss tweets back.
Plato spoke of the cave—
but we, with video-on-demand,
pay a subscription for the shadows.
Camus spoke of the absurd—
and here we are,
pretending dung is destiny.

 

History testifies:
Hitler’s lies marched millions to their graves,
Stalin’s paranoia starved nations,
today’s demagogues use softer words—
“security,” “tradition,” “identity”—
but the bodies still pile.
Kashmir burns, Gaza bleeds,
Ukraine shivers under iron rain,
and the West debates the price of gas.

 

Most men do not want truth.
Truth is Job on the ash heap,
truth is Socrates with the hemlock,
truth is Christ on the cross,
betrayed with a kiss.
We prefer the sweet deceit,
the lullaby over the scalpel.
We ask for meaning,
but accept merchandise.

 

And yet, one thing remains:
shit, however sanctified,
however wrapped in silk rhetoric,
is shit.
Beauty is beauty, in thought or deed,
and cannot be forged from faeces.
Call a cesspit a cathedral,
and the stench will still betray you.

 

So let us speak with blunt tongue,
not bow to the polite lie.
Shit is not sacred,
not symbolic, not profound—
it is waste.
And the moment we forget this,
the world becomes what it now resembles:
a kingdom of flies,
swarming over excrement,
crowing that it is gold.

 


 

MADMEN AND MUTES


 

Never has the map looked less like sense.
Not a cartographer’s lie, but a gash across
our shared delusion of order.
We have walked into the future backwards,
mouthing prayers to progress while our hands
build monuments to ruin.

 

The institutions creak like broken scaffolds,
parliaments filled with jester-tyrants,
grinning through blood-slicked mandates.
What century is this, truly?
Where greed wears a diplomat’s pin
and deceits are told with an elegant accent,
smelling faintly of sandalwood and slaughter.

 

They said democracy was a conversation.
It now resembles a brawl in an abandoned church—
one side shouting of freedom,
the other licking boots in exchange for
certainty, or scraps of identity.
Both blind to the ash collecting on their shoulders.
Do they not see it?
The char of centuries past returning
in the mouth of every populist preacher?

 

Never has the future felt more like a bluff.
A poker table ringed with lunatics,
nuclear codes in one pocket,
self-interest in the other—
yet not the old self-interest, that 18th-century
polished selfishness gilded with prudence—
but the new kind,
mad-eyed, mouth-foaming,
sabotaging the very ark it boards.

 

We are governed by those
who would rather set fire to the ship
than let another man steer it.

 

They speak of The People
as if it were one face—
not a shattered mirror
reflecting grief, rage, hunger,
dispossession stitched into flags
and waved like talismans against reality.

 

Some believe in omnipotence,
in the power of the algorithm,
in movements choreographed
to hashtags and dopamine.
That with enough bodies,
enough retweets,
you can reverse entropy,
bend time,
cancel consequence.

 

Others—
too many—
have made peace with impotence.
Their lips tight around a cold cup of tea,
their gaze dulled by a thousand betrayals,
watching the news
like spectators at their own funeral.
Theirs is not apathy—
it is bruised wisdom,
a silence learned through
a thousand unheard cries.

 

Is this civilisation?
When lands lay in ruins,
and children bleed beneath
the euphemism of “strategic interests”?
When oceans rise but truth drowns faster?
When famine is no longer news,
just a line in the budget?

 

Where does one stand
when the centre is not holding,
but winking,
collapsing into farce?

 

Where are the elders?
The philosopher-kings,
the sceptred minds who once weighed
history like gold?
Replaced by pundits,
gamblers with microphones,
men who read Machiavelli
and took it as scripture.

 

And still—
we light candles,
sign petitions,
cling to shreds of meaning
like beggars gripping bread in a storm.

 

But I ask you—
What happens when the madmen
don’t wear crowns,
but suits tailored in Geneva?
When reason itself
is labelled extremist,
and neutrality is the last coward’s refuge?

 

Are we not all complicit?
Every swipe, every scroll,
every dinner party
where injustice was laughed into anecdote?

 

What shall we tell the unborn?
That we stood at the cliff
and argued about who pushed who,
while the earth burned beneath our feet?

 

Perhaps the only sanity now
is grief—
grief not as surrender,
but as rebellion,
a refusal to forget
that humanity is capable
of more than this grotesque pantomime.

 

The question is not:
Can we be saved?
But:
Do we still remember how to weep
for something beyond our own reflection?

 

Let the future be not a gamble
but a reckoning.
Let it arrive like a stern-eyed ancestor,
asking:
Did you speak truth when it mattered?
Did you see what was coming and still go blind?
Did you stand, or did you scroll?

 

And may our answer,
if not heroic,
at least not be a lie.