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PINCH OF SALT



Meet him.
Not Black, not Muslim, not Latino.
Not trans, not immigrant, not gay.
Not a card-carrying revolutionary,
not the frothing caricature you wanted.
Just a typical, homegrown lad,
straight as a plumb line,
a son, a brother, a suitor, a mate, refined by a conservative hearth—
and such hands are pulling the trigger.

 

So what now?
Do you stitch another fence from your fears?
Raise another shibboleth?
Wave another flag, red or blue,
as though stitched cloth could cauterise the wound?
You think radicalisation redeems?
You think polarisation purifies?
Antiquity laughs in the physiognomy of your illusions.
From Belfast to Bosnia,
from Rwanda to Westminster’s own whispering antechambers,
blood has always flowed
when men mistook categories for causes.

 

It is easy to mourn the dead,
to canonise them in marble prose,
to cry martyr, saint, beloved.
But brave you admit
that their words, their deeds, their ideology
cut others to ribbons while they yet breathed?
Valiant you hold paradox in your palm—
to love the slain and still
recognise the lesions they left behind?
Or must you always polish the past
until it gleams in a single colour?

 

Why does compassion crumble
the moment it meets conflict?
Why do we, clever apes,
demand a world painted in absolutes—
black or white, villain or angel—
when the truth is muddier,
a swamp of motives,
a cesspit of contradictions?

 

Unconditional love—
is it sermon or substance?
Does it mean to embrace
the murderer and the mourners alike,
to carry both insult and affection,
venom and antidote,
as though they were salt crystals upon the tongue?
And yet—
a pinch of salt, we say,
British understatement camouflaging despair:
It’s all good, baby, baby.
But is it?
Tell that to Gaza’s children.
Tell that to the mother of Stephen Lawrence.
Tell that to the father who buried his boy
after Columbine, after Sandy Hook,
after Uvalde, after London Bridge.
Is it all good?
Or is that phrase a nostrum,
smoothing over jagged veracity?

 

I ask you—
what if the problem is not extremism
but our refusal to sit in dissonance,
to experience its bitterness,
to accept that love must live with critique,
that empathy must coexist with resentment?
What if accord will never be built
from symmetry or certainty,
but from the messy work of holding opposites
without breaking?

 

So take your slogans, your scapegoats,
your shrill chants of “them” and “us,”
and taste them—
with a pinch of salt.
Swallow, if you dare.
It will burn on the lingua and glossa.
It will make you question
whether you have ever truly thought,
or only borrowed thought from louder voices.
It will make you squirm,
because exactitude is no banquet—
it is gristle, sinew, bone.
And it is yours to chew.

 

Once, the patterns were legible.
The habitual offender.
The ideologue nursing his factional frenzy.
The broken soul, warped by trauma or twisted chemistry.
We could explain them away—
file them neatly under pathology or politics.

 

But now?
Now the face is familiar.
The figure is camouflaged as a friend,
a neighbour who mows the lawn,
the colleague who shares your tea break,
the classmate who once copied your notes.

 

And when such a countenance turns,
when such a hand clenches around the firearm,
what excuse remains?
What comfort in the old categories?
What shield against the statistic
that the monstrous now wears
the pretence of the prototypical?

 

So I ask—
If the neighbour becomes the threat, who remains neighbour?
If the scholar becomes the killer, who remains wise?
If the ordinary becomes the executioner, what remains of the ordinary?
And if the veneer of normality can hide anything—
how long before it hides you?

 

Which brings us to the final, most unforgiving inquest.
People act as they do because people are pushed—
pushed against walls, pushed into corners,
pushed until the mind itself buckles under the strain.

 

Violence, we are told, erupts only when there is no other way out.
Yet irony mocks us:
it is often the free, the strong, the educated—
those with choices—that lift the weapon.
For you cannot expect the man, the woman, the child in Gaza,
starved of agency and shackled by rubble,
to redraw the law with their bare hands.

 

So why, then, are those who might have chosen amity
driven to the brink of madness?
Why do those with liberty squander it on bullets?
Should those who push not have learnt from history?
For history speaks, again and again:
whatever you sow—courtesy or cruelty,
mercy or malice— ricochets to you a hundredfold.
And if today resistance rises like smoke,
it is only because tirades of turbulence
were thundered from pulpits and podiums.

 

So the query stands, unresolved, unavoidable:
How do we bring kindness into a world
so fluent in fury?
How do we restrain the hand
before it clenches into a fist?
How do we calm the earth, unsettled and quaking,
when our very values tremble like sand?
What is ethics, what is morality,
if not the courage to refuse the cycle of return?
And if we cannot answer—
what hope remains of peace at all?

  



MR. BURTON (2025) – A REFLECTION ON THE WEIGHT OF GREATNESS


 

There are few spectacles more tragic—or more divine—than the slow, incandescent erosion of a gifted soul. Mr. Burton, the 2025 cinematic meditation on the life of Richard Burton, is not merely a film, nor even a biographical retelling—it is a grand threnody to the soul of man burdened with greatness. And in the hands of Harry Lawtey, that burden becomes a thing of unspeakable majesty.

 

The modern biopic, more often than not, leans toward an unwholesome gluttony. It gorges itself on costume, scandal, and period furniture, believing that verisimilitude lies in mimicry and plot. But Mr. Burton does something entirely different—something braver and more sacred. It looks not at what Richard Burton did, but who he became beneath the armour of theatrical success and tabloid fame. It trades narrative for revelation, choosing to illuminate not the chronology of a life, but the contours of a soul at war with itself.

 

At the heart of this ecclesiastical venture stands Harry Lawtey, whose performance is not a portrayal, but a transfiguration. There is no artifice, no strain, no desperate thespian showboating. Rather, Lawtey descends—yes, descends—into the infernal crevices of Burton’s torment, bringing back with him the fire of a man who could command Lear with the voice of a god, yet crumbled like dust before his own reflection. Lawtey’s eyes alone, in moments of silence, achieve more than most entire scripts manage with armies of words. He has not studied Burton to impersonate him; he has become Burton to understand him. This, I daresay, is not acting. This is theology.

 

But let us speak honestly about what Mr. Burton dares to depict: the unbearable paradox of genius. Burton, as presented here, is no hero. He is no villain either. He is a man—flesh and folly, thunder and ruin. He drinks not only from bottles but from the poisoned chalice of his own fame. He hungers, not for applause, but for absolution. The film does not sanctify him, nor does it crucify him; it reveals him. It allows him to remain unsolved, unredeemed, and therefore unforgettably human.

 

The film’s direction, far from overreaching, shows the wisdom of restraint. The camera lingers not to flatter but to confess. Scenes unfold not with orchestral grandeur, but with the hush of liturgy. We are given time—not to consume Burton, but to contemplate him. The cinematography understands darkness—not merely as an absence of light, but as the necessary cradle in which certain truths must be born. The script, elegant and sparse, often withholds more than it delivers, inviting the viewer into that rarest of cinematic experiences: listening.

 

It would be an injustice, however, to speak only of Burton the man, or Lawtey the vessel. One must also consider Mr. Burton as an argument against our age’s obsession with clarity. In a world that demands every story be neat, every personality either saint or scoundrel, this film dares to suggest that the most vital lives are those that remain unresolved. It reminds us that the human being is not a thesis to be proven, but a psalm to be wrestled with.

 

What Lawtey achieves here will be studied—must be studied—for decades to come. Not for its technique (though it is rich with it), nor for its resemblance (though it is uncanny), but for its courage. He has looked into the abyss of a man both beloved and broken, and rather than flinch or romanticise, he has remained. And in doing so, he has given us not simply Richard Burton, but a mirror into ourselves.

 

In the final analysis, Mr. Burton is not about fame or theatre or self-destruction. It is about the divine terror of being known—by others, by history, by Providence, and most of all, by oneself. It is a film one does not watch, but survives. And when the last scene fades, what remains is not applause, nor even sorrow, but silence—the kind of silence one finds in old churches and ruined cathedrals. The silence of something holy having passed through.

 

A bloody fucking miraculous feat, indeed, if I may be forgiven the phrase.

 


A DARK PINT OF PRICK AND PURPOSE


 

A DARK PINT OF PRICK AND PURPOSE


A Philosophical Ode to the Bloke’s Brew and Balls

 

Ah, black coffee —
that fierce bastard of a brew —
bold as bollocks, bitter as truth,
hot enough to scald the shame off your Sunday suit.
It does not fawn,
nor flutter like oat milk foams or
whimper in syrupy submission.
No.
It arrives like a slap round the chops,
all grit, no grace.
Like a lad who’s seen the end of love
and still turns up for the fight.

 

You sip it, and it stares you down.
Thick as a scorned thought,
sharp as the morning after.
It doesn’t go down easy —
much like the truth about your father,
or the fact you cried after shagging her,
and not because it was good.

 

It’s the same bloody ritual each dawn —
you grind, you boil, you pour.
Like your cock, frankly —
automatic, loyal, often confused.
A stiff salute to the day’s demands,
a throbbing declaration that you’re still here, mate,
that despite rejection, inflation, and
Janine from Accounts
— you function.

 

Let’s not pretend, shall we?
The average bloke’s obsession with his todger
isn’t about sex,
it’s about control,
about proof —
the last bastion of self that salutes when the rest of life
is flaccid and fucked.

 

A willy and a cup of coffee:
both black, bitter, often overestimated.
They stand tall for three minutes and
are promptly abandoned.
Neither lasts, but God help you if they don’t start the day.

 

What is an orgasm, anyway,
but the body’s way of saying:
“I’ve had enough. Let me die for a moment
before the taxes come.”
Brief, violent, and vaguely humiliating —
like most of the world’s prime ministers.

 

You clench, you grunt,
you spill —
and then you wonder if you ought to text her,
or just make another brew.

 

Because at the end of it all,
what comforts a man isn’t her name,
nor the tender lull of pillow talk,
but the kettle’s hiss,
the steam rising like absolution,
the silence between two sips.

 

Coffee and cock —
brothers in arms, both raised and worshipped,
overpraised, misunderstood.
Each a symbol,
each a saviour,
each a splendid, steaming middle finger
to the soft-soaped world
that asks us to apologise
for being blunt,
for being bold,
for being fucking male.

 

So raise your mug, lads,
and if you must — your limp and lonely friend.
Here’s to dark brews, darker moods,
and that bitter little god you hide in your pants,
hoping — just once —
it’ll save you.

 


NO FLAG ON A COFFIN



They told us: this is yours, that is theirs,
you are this name, he is that prayer,
you face east, he west,
you say Ram, he says Rahim
as though the heart beats in syllables.
As though blood cares for scripture.

 

But we remember the days
when we broke bread under the same roof,
laughed at the same bloody films,
cried the same tears when mothers fell ill.
And that—that—is brotherhood.
Not this parchment hatred
scribbled by cowards behind microphones,
safe from the smoke and shrapnel.

 

Let us not forget:
the insurgence burns the shop of both the butcher and the priest.
The bullet does not ask your God
before it tears through your spine.

It does not pause to check
your passport, your politics, your prayer.

 

We are not enemies.
We are echoes of the same ancient soil.
We have danced at each other’s weddings,
borrowed salt, stories, shirts.

We’ve shouted over the same cricket match,
shared mangoes in the same sticky summers.
Your grief is not foreign to me.
Your child’s laughter sounds like mine.

 

And those who dare divide us—
the suit-clad serpents, the snarling anchors,
the men who dine in comfort
while they teach us to hate over scraps—
we will look them in the eye

 

and say:

 

Bugger off.

 

We see through your theatre.
We are not pawns in your grim little game.
We will not bleed for your borders,
nor bury our love beneath your slogans.

 

Let them draw their lines in sand—
we will wash them clean with kindness.
Let them write their laws of separation—
we will scribble over them with our shared laughter.
Let them speak of ‘us’ and ‘them’—
we will answer: Brother.

 

Because now, the guns speak again.
Shells whistle over sleeping homes,
and the earth—a poor, tired thing—
swallows more sons she never birthed.

 

Nobody wins. Not really.
Not when a boy is zipped into plastic
before he ever kisses a girl,

before he learns how to drive,
before he makes his mother proud.
Not when a mother wails like an animal
outside a crumbling hospital,

screaming the name of a child
whose hand is no longer warm.

What good is your cause
if it feeds only the fire
and not the child?

 

They’ll say defence. They’ll say retaliation.
Words polished like boots,
marching over corpses in clean shirts.
But none of it can resurrect a father
with half a face,
or calm a widow clutching
the sweater that still smells like him.

None of it rewinds the seconds
before a boy stepped on a mine
he didn’t plant.

 

And who are the heroes here?
The young man conscripted
because a job was a job?
The lad with no rifle
but a brick in his hand
because it felt like something
in a world gone mad?

 

Meanwhile—
those who lit the fuse
sip their Scotch and tweet platitudes.
They’ll send flowers to a funeral
they funded.
They’ll say peace talks,
but only once the dust has choked enough lungs.
Only when the cameras have left.

 

Here’s the imbrued truth:
It doesn’t matter who fired first
when a six-year-old dies in her sleep.
No shibboleth can console
a brother washing blood from the porch.
No anthem can explain
why his sister won’t come home.

 

Call it border tension.
Call it politics.

Call it anything you like.
But to the dead,
it’s just silence.

 

So let them draw their damned lines—
we will not walk them.
We will grieve together,
stand in the rubble
with empty hands and open hearts,
remembering that before they taught us
how to hate,
we simply knew how to live.

 

Because in the end,
there is no flag on a coffin
that can bring back the soul inside it.

 

And that—
that is the greater act of defiance.

 








 



ROLLS ROYCE – Keeping a beautiful lady in shape.



Among the commemorative notices published in 1979, on the occasion of the seventy-fifth anniversary of Rolls-Royce, there appeared one particularly arresting advertisement from Appleyard—the well-regarded motorcar purveyor whose polished showrooms graced both Leeds and Glasgow. It bore that familiar emblem, the Spirit of Ecstasy, poised as ever in her silent flight, accompanied by a headline as whimsical as it was reverent: “Keeping a beautiful lady in shape.”

 

What followed was no mere commercial enticement, but an ode, almost chivalrous in tone: “If you love her, you’ll bring her to Appleyard. Their knowledge of her anatomy is total. Their appreciation of her virtue, endless.” In such words, one glimpses not only a devotion to mechanical craftsmanship, but a bygone gallantry—an era when even the language of commerce could be steeped in grace.

 

Once, even the humblest artifact was wrought with beauty—formed with a reverence for symmetry, proportion, and soul. But today, if a man dares to speak with dignity or to write with flourish, he is regarded either as an eccentric or an anachronism. 

 

We have not merely misplaced elegance; we have exiled it. One wonders—was it carelessness or cowardice that led us to discard the language of our forebears? And in so doing, have we not imperilled the very culture which once gave rise to such beauties?

 

ON HATE – A REFLECTION


 

It is a grievous mistake to suppose that hatred is congenital—that it arrives with the child, like a birthmark or the shape of the nose. No, hatred is not a blood-born inheritance, but an infection of the soul, introduced by suggestion, nourished by imitation, and hardened by years of unexamined grievance. We are not born clutching hatred in our tiny fists. Rather, it is pressed into them by those who came before—sometimes unwittingly, sometimes with malevolence that masquerades as tradition.

 

If one consults the findings of prevailing psychology—as I occasionally do, though not uncritically—one finds that children, left to their own devices, exhibit no innate animosity toward the stranger. They must be taught who to fear, and more importantly, who to blame. It is as Rousseau once lamented: “Man is born free, and everywhere he is in chains.” Hate is one such chain—cold, deliberate, and forged not by nature but by nurture’s more sinister hand.

 

This notion—that hatred is acquired—does not comfort as one might wish. The truth seldom does. There is something profoundly unsettling in the knowledge that what corrodes our common life is not some wild impulse, but rather something cultivated, like a garden of weeds left to thrive in the corners of our souls.

 

Throughout the years, I have turned this stone over countless times in my mind: what is it that we truly hate, and why? Each time I believe I have found its root, it eludes me—like some nocturnal creature burrowing deeper into the thickets of the human heart. Hatred is nothing if not clever. It dresses itself in the garments of loyalty, of patriotism, even of justice. But if one dares to strip away the masks—however delicately—they will discover fear. Fear is the face that hatred dares not show, and yet it is always there: primal, shivering, unresolved.

 

Freud, in his somewhat gloomy wisdom, might have called this a projection—the self’s trembling transposed onto the face of the Other. Kierkegaard, too, spoke of this shadowy unease—an existential dread that, when denied, curdles into aggression. How often have we seen men lash out not because they are evil, but because they are afraid, and cannot admit it?

 

Now I must confess—my life, by most measures, has been comfortable. This comfort, far from being a refuge, poses its own peril. Hatred does not always thrive in the crucible of suffering. Sometimes it germinates in the plush quietude of privilege, where imagination atrophies and the sufferings of others become invisible. In such a state, one ceases not only to feel, but to see.

 

Rawls warned us against the complacency that privilege breeds—a kind of moral sleepwalking, where one mistakes the silence of injustice for the harmony of peace. The soul, dulled by comfort, becomes fertile soil for suspicion, for resentment, and ultimately, for hate.

 

But let us not delude ourselves with the modern superstition that hatred can be exorcised through legislation or silenced with slogans. The roots of hatred are too old and too deep for such measures. It cannot be defeated merely by policy; it must be confronted in the quiet moments of honesty—where one dares to ask, not “Who do I hate?” but “What fear am I trying to bury?”

 

I have been asked, often with subtle accusation, whether I harbour hatred toward those who malign my faith. The question itself is a snare. It demands a binary where there is none. I do not hate those who revile me—not out of saintliness, but because I refuse to let their darkness dictate the weather of my soul. As the Stoics rightly said, it is not what happens to us that matters, but how we respond. And to respond with hatred is to surrender one’s sovereignty.

 

There is, too, a kind of meanness that arrives with a smile. It is the nastiness of the polite persecutor—the one who questions your legitimacy with the soft cadence of civility. Here we encounter what the sociologists call symbolic violence, but which the Christian would simply call hypocrisy cloaked in charm. These are the hardest faces to confront, for they wear the mask of concern while slipping poison into the wine.

 

And yet the fault, dear reader, is not only in them—it is also in us. We inhabit a world that rewards noise and punishes nuance. In such a world, to hate is easier than to think. We scroll, we sneer, we shout. We are reactive, not reflective. And in this tyranny of immediacy, the quiet disciplines of charity, patience, and introspection are trampled beneath the feet of spectacle.

 

Consider the upheavals that erupt in response to perceived slights. They may seem disproportionate to some. But people do not riot over trifles. They riot because something deep and sacred has been bruised. This does not justify their violence—but it does demand our understanding. It is too easy for the West to scorn such reactions, forgetting that its own past is riddled with witch hunts, lynchings, and book burnings.

 

It is a grave error to think of hate as merely a sentiment. It is, in its most potent form, a structure—a system that defines the margins and exalts the centre. The furore over books, films, and ideologies is not always about the content itself, but what that content awakens: old wounds, buried shames, and ancestral shadows. Jung was right—what is denied in the collective returns with a vengeance, demanding to be seen.

 

And now, in our digital coliseums, hatred has found new arenas—amplified, monetised, and algorithmically curated. The same hand that scrolls for entertainment can now be enlisted in campaigns of vilification. Words become weapons. Civility becomes weakness. And truth becomes whatever sells.

 

This is not merely unfortunate—it is dangerous. When free expression is strangled in the name of safety, or criticism mistaken for hate, we do not diminish hatred; we give it a masquerade. Nietzsche warned us of this—of ressentiment, where morality becomes a tool of vengeance, not virtue.

 

It is tempting to meet provocation with silence or sarcasm. But if I could, I would rather sit at table with the provocateur—not to shout, but to question. What do you gain by wounding the already wounded? What glory is there in deepening division?

 

This, I believe, is not naïveté. It is a form of survival. Societies do not endure by suppressing conflict, but by transforming it into conversation. The alternative is not peace, but fracture.

 

History has taught us, time and again, what lies at the end of such fractures—Bosnia, Rwanda, Germany. When men cease to speak truthfully and listen charitably, the abyss opens beneath their feet.

 

To be tolerant, in such a time, is not to be limp or listless. It is to practise a discipline—an act of will, even of courage. It is to bear the sting of insult without recoiling into vengeance. But tolerance is not the same as acquiescence. I will not strike you for disagreeing with me—but neither will I flatter your falsehoods.

 

True freedom, as Spinoza knew, lies not in reacting blindly, but in understanding deeply. Frankl, too, saw that between stimulus and response there is a space—and in that space lies our power, our dignity, our humanity.

 

To be tolerant is not to be passive. It is to walk the narrow ridge between cowardice and fanaticism. It is to love the truth more than one’s comfort, and justice more than one’s reputation.

 

And here, perhaps, lies my deepest unease with the contemporary secular vision. It claims to celebrate diversity, but too often it demands uniformity in return. It opens the gates, but only to those who sing its tune. In such a theatre, the truly dangerous man is not the fanatic, but the thinker—the one who dares to dissent, to doubt, to ask questions that are not pre-approved.

 

But maybe danger is necessary. Camus spoke of the rebel—the one who says “no” not to destroy, but to affirm a deeper “yes” to the dignity of man. It is often the dangerous ones who rouse the world from its sleep.

 

And sometimes, the most dangerous thing of all is to be still. To step out of the dance, to resist the rhythm of outrage, and to think. In a world of performance, reflection becomes rebellion.

 

For in the end, wisdom does not lie in echoing the prejudices of our forebears. It lies in questioning them. And when we do, we become more than mere heirs of anger—we become architects of something nobler.

 

This, I believe, is the task set before us—not to abolish hate by decree, but to disarm it by courage, by charity, and above all, by truth.

 

 


A DEFENCE OF UNCOMPLICATED AFFECTION IN COMPLICATED TIMES


  

 

The Four Numbers

 

It was upon an afternoon of no particular distinction, save for the city’s habitual melancholy drizzle — the sort of rain that neither cleanses nor commits — that my business partner and I found ourselves seated in the sombre glow of a rather pretentious café, the kind that trades more in the illusion of taste than in taste itself.

 

We were awaiting the arrival of a man whose reputation preceded him like the shadow of an overgrown monument — one Mr. Sarkar, a self-anointed luminary in the delicate art of modern marketing, whose name was uttered in business circles with the same reverence one reserves for authors of obscure but authoritative tomes. He arrived, as such men always do, precisely ten minutes late, as though to punctuate the world’s dependency on his counsel.

 

No sooner had we exchanged the requisite civilities — that thin, inelastic veneer which keeps the apparatus of human intercourse from rusting entirely — than we surrendered to him our modest visiting cards, tokens of identity in a world increasingly estranged from the concept.

 

Mr. Sarkar, with the solemnity of an antiquarian appraising a relic, held the small card at arm’s length and squinted through spectacles so thick they might have served as the portholes of a bathysphere.

 

“Ah,” he mused aloud, his voice oiled with self-satisfaction, “and what, pray, is the cryptic significance of these four numerals adorning your emblem? One seldom encounters arithmetic in the wild, outside the grubby ledgers of commerce.”

 

My business partner, a man of quiet but immovable composure, replied with unembellished clarity, “They are birthdays.”

 

Mr. Sarkar’s eyebrows, two grey caterpillars of ungoverned curiosity, arched theatrically. “Birthdays?” he echoed, as though the word were an ancient rune.

 

“Yes,” my business partner said, “ours.”

 

A silence, heavy and condescending, hung between us, broken only by the clink of a spoon against porcelain, like the prelude to some minor revelation.

 

Then came the question — tossed out with the nonchalance of a man who has long since ceased to regard the dignity of his fellow creatures as worthy of protection.

 

“Oh, really? Are you homos?”

 

There it was — the ghastly question, delivered with the elegance of a boot to the face, as though human connection could be so neatly dissected and catalogued, as if the unfathomable breadth of human friendship were a specimen to be pinned under glass.

 

My business partner, never one to dignify the grotesque with offense, replied with a calmness that could only be described as charitable.

 

“I am afraid we are not.”

 

There was a quiet magnificence in the way he said it, as if brushing a speck of dust from the lapel of decency. I noticed then how small Mr. Sarkar looked — a man diminished not by stature but by the architecture of his thoughts, a mind furnished entirely with the fragile trinkets of prejudice and presumption.

 

The conversation moved on, as conversations do, like a leaf carried downstream, away from the sharp stones that first unsettled it. But something had shifted. The veil had been drawn back for a fleeting second, revealing the shabbiness of a soul addicted to the comfort of categories and the safety of sneers.

 

It is, I have since learned, the peculiar plight of the unmarried and unattached man, whose very existence invites the world’s morbid curiosity — a creature viewed less as an individual and more as an anomaly to be explained away with gossip or derision. In some eyes, solitude is not a state but a suspicion.

 

And so, the four numbers remained on the card — unyielding, unashamed — quiet sentinels of our united histories, which, unlike Mr. Sarkar’s certainties, required neither explanation nor apology.


The Curious Case of Imagination and Pettiness

 

I found myself musing, not without a measure of dismay, upon the curious mechanism by which a man — a stranger to us, no less — could vault so hastily from ignorance to insinuation, and that too with such barren imagination. What obscure defect of mind or spirit, I wondered, had permitted such an empty and premature extrapolation to pass, unexamined, from his lips? One might have supposed that the years, which are intended by nature to mellow the mind as the sun ripens the fruit, would have endowed him with at least the rudiments of discernment, if not wisdom. And yet, it seems, time had left him curiously untouched, as though his thoughts had aged in body but not in depth.

 

But upon more sober reflection, I could scarcely lay the fault at his feet alone. He was, in the end, but a mirror — polished, perhaps, but nevertheless faithful — reflecting the wafer-thin mentality so fashionable in our age; an era wherein the soul is urged at every turn to exchange wonder for cynicism, and where the impulse for genuine exploration is starved by the baser appetite for derision. There appears to be, deep in the circuitry of the modern mind, some unfortunate miswiring which prompts otherwise unremarkable people to derive their small, nasty pleasures not from understanding but from the squalid thrill of speaking first and thinking — if ever — much, much later.

 

Had the places been reversed — had I been the one to encounter a name so remarkable in character — I should have done what decency and imagination both demand. I should have first acknowledged the quiet ingenuity that such a name implies, for originality is a flower all too rare in the grey gardens of commerce. Thereafter, I should have probed — not with idle curiosity but with the proper reverence due to any act of human creation — into the story behind it: what vision or sentiment had midwifed its birth, what bond of friendship or shared endeavour had shaped its form.

 

And once the veil had been lifted and the answer laid bare, the only appropriate response — the only one, indeed, that would have satisfied both heart and intellect — would have been admiration for the friendship and affection so evident in so deliberate a choice. Surely such a conclusion would have been more fitting than the vulgar little jest about sexuality which the gentleman, with all the tact of a child prodding a caged animal, had thought sufficient.

 

The whole encounter, steeped as it was in a species of pettiness that ought to have embarrassed even the most infantile of minds, roused in me a greater contemplation. It compelled me to set pen to paper and chart, as best I could, the many noble notions that seem to have drifted entirely out of fancy in this frothy, featherweight culture of ours — a civilisation so intoxicated with appearances that it can no longer distinguish the shallow from the deep, the crude from the kind, nor the trivial from the true.

 

Example 1

 

The Unremarkable Friendship of Mervin and Lawrence — and the World’s Remarkable Misreading

 

Mervin and Lawrence had been companions of the truest sort — a friendship forged in that golden age of boyhood, tempered by the trials of common classrooms, burnished on the football field, and matured into a bond so staunch that to describe them as “inseparable” would hardly suffice. They were, as it were, two strands of the same cord, distinct in fibre but woven into one enduring thread.

 

It was after one such day of strenuous exertion upon the field — the kind of afternoon that leaves a man feeling as though he has loaned every ounce of his strength to the soil beneath his feet — that Mervin sought the comfort of a Jacuzzi, the modern-day man’s poor substitute for the soothing embrace of the sea. Lawrence, in contrast, had yielded to his fatigue rather more suddenly and collapsed into slumber, still clad in his muddied battle-garb, on the couch in Mervin’s room.

 

At some quiet interlude, stirred perhaps by the unfamiliar hush of the room, Lawrence’s eyes opened just as Mervin, now fresh from his ablutions, stood at his wardrobe, surveying the garments within. His back was turned — bare and unguarded — the sort of unremarkable moment that passes, in most lives, without even the faintest echo. Yet Lawrence, possessed of that unstudied frankness that only true friends may afford one another, let out a teasing remark, half-laughing through his lingering drowsiness: “Dude, I am surprised that you have such a puny butt in comparison to the rest of your toned body.”

 

When Mervin later recounted this tale to us, over the lazy comfort of wine and the kind of laughter that only old friends know — the unhurried, unpoliced laughter of those who have nothing to prove and nothing to fear — the jest was received in the spirit of light-heartedness with which it had been born. It made no mark upon our esteem for either of them, nor did it so much as ruffle the gentle surface of that evening’s conversation. The remark dissolved, as all harmless jests do, into the larger sea of symbiotic stories. Or so it seemed.

 

For there was, as there always seems to be, one exception. One friend — whose understanding of the world, I dare say, was shaped more by speculation than by experience — believed, with the slyness of a serpent coiled behind the fig leaves of false concern, into the ear of another. 

 

Mervin and Lawrence must be gay.

 

It is an unfortunate hallmark of our times, that such austerity of companionship should be twisted and tethered by the small, stunted imaginations of those who, having little of substance within themselves, must look upon genuine closeness with envy, and reframe it in terms that their own narrow minds can endure.

 

I know of friends — honest, unpretentious men — who have traded jests, light as feathers, about the more delicate parts of each other’s anatomy. I know, too, of women, no less sensible or secure, who have shared confidences and observations upon their bosoms, as comfortably and unselfconsciously as one might remark upon the cut of a dress or the length of a hem. And not once, in any such exchange, did the shadow of lasciviousness fall upon the moment. These were, and remain, the harmless musings of human creatures perfectly at ease with one another.

 

The Foregone Reflex: A Glimpse into Human Nature

 

There is, moreover, a primeval and immutable truth at the heart of this — a truth that present-day man, in all his charade of sophistication, would do well to recall. When a man, by some happenstance or accident, finds his eyes momentarily cast upon the member of another, it is neither perversion nor perversity that bids him pause, but a reflex older than language, older even than civilisation. A fleeting instinct, born of that primal arithmetic by which nature herself once measured a man’s fitness to survive.

 

In the long shadows of our prehistory, it was the strongest, the most virile, the most physically assured of men who were celebrated, and whose seed was sown most widely, so that the tribe might grow stronger by his blood. The glance, quick and involuntary, was once a silent affliction — a vestige of the age-old contest for survival, not a token of desire. And though the world has changed, the primordial machinery remains, buried beneath the polished surface of modern manners.

 

Why then, I ask, do we persist in this tedious travesty of puritanical pretence? Why cloak so natural a reflex in the sackcloth of guilt and undertone as though we had stumbled upon some grievous sin, when in actuality we have only glimpsed, for the briefest flicker of time, the common construction of our characteristic humanity?

 

The world, it seems, would rather blush at the body than comprehend it — and in so doing, reveals far more about its own uneasiness than about the bodies in question.

 

Example 2

 

Delhi’s Ease vs. Bangalore’s Suspicion — A Tale of Two Cultures

 

Not long ago, a friend of mine — recently uprooted from the brisk and bustling avenues of Delhi to the softer, slower lanes of Bangalore — unburdened his frustrations to me over the course of an evening meal, the kind of unceremonious supper where conversation flows as freely as the drink.

 

“Bro,” he began, with the earnestness of a man disclosing some tragic philosophical absurdity rather than a mere societal irritation, “in Delhi we’ve a rather healthy culture when it comes to these things. No one bats an eye if you saunter about your own home in nothing but your briefs, nor if you greet your mates with an unstudied embrace — as one ought to, untroubled by the world’s prying gaze.” Here he paused, and a grimace passed across his face — not the sort that pain brings, but the far deeper ache of cultural disillusionment. 

 

“Besides,” he continued, the words growing heavier with personal history, “I’ve lived in hostels since my schoolboy days. When you’ve grown up among the brotherhood of bare mattresses and communal bathrooms, the sight of a bare backside is hardly cause for ceremony. But here — here in the South — the culture is, well, stilted. Any trace of closeness between male friends, any display of genuine ease, draws these narrow little frowns and raised brows, as if you had broken some unspoken covenant with decency itself. It’s so bloody messed up, man!”

 

I could not but feel an abysmal and unflustered empathy with him, for his lament struck against a reality I myself had long observed: that there exists, undeniably, in these parts a strain of general idiocy so astonishingly consistent it has almost the solemnity of tradition. Here, the art of minding one’s own business has not merely been neglected — it has, so far as I can tell, never been introduced into the curriculum of daily life at all.

 

The most trifling gestures of human comradeship, especially among men, seem to ignite in the minds of these self-appointed custodians of propriety the wildest and most vulgar conjectures, as though brotherly ease must, by some unsaid rule, conceal a secret perversion. The truly perplexing thing is not the existence of these idle tongues — for every age has bred its share of weasels and whisperers — but the sheer persistence with which they mistake the language of friendship for the grammar of sexuality.

 

Misreading Brotherhood: A Moral Illiteracy

 

It is, of course, a most elementary misunderstanding — one might even call it a kind of moral illiteracy — to imagine that where there is affection there must also be appetite. These people, poor creatures, are entirely blind to the fact that what they witness in such harmless moments is not the outworking of some furtive desire, but the natural and unpolluted ease of brotherhood — that primitive and upright fellowship of equals which asks for nothing but sincerity, and offers in return that rarest of all comforts: the knowledge that one is known, and yet not judged.

 

And so the weasels carry on, scurrying from corner to corner, finding scandal where only simplicity was meant to dwell, and seeing shadows where there is only light.

 

Example 3

 

Checks and Balances — A Brotherhood Beyond Biology

 

My business partner and I are, in the eyes of the world, much like Siamese twins — though no surgeon’s blade, nor the cold arithmetic of biology, binds us. We are, rather, living proof against the quaint delusion that blood alone determines the strength of kinship; a delusion so tenacious that many will believe no two souls can share the sacred togetherness of brothers unless they first shared the same cradle.

 

Years ago, a mutual friend — one whose wit, on rare occasion, wandered into the dominion of wisdom — remarked with admirable precision that we were like checks and balances: two halves of a single, working whole, each guarding the other’s limits, each securing the other’s freedom. I have long thought that observation the most fitting description of the bond we possess.

 

And for all this, I must make plain — if only for the benefit of those whose imaginations lean toward the gutter more readily than toward reason — that this friendship is, and always has been, untouched by the slightest trace of sexual interest. It is not so much a matter of self-restraint as it is a simple fact of nature: such penchants are not part of the engineering of this particular bond, for the very obvious reason that our inclinations lie elsewhere.

 

Indeed, we have each enjoyed, in the unadvertised privacy of our lives, more than our fair share of women, and the unruly pleasures that often accompany the company of the fairer sex. But neither of us is in the habit of parading our affairs upon the village notice board. We do not make public announcements of our conquests, nor issue bulletins to satisfy the nosiness of indolent minds.

 

And so, in the absence of such performative declarations, the dense and restless minds of lesser men — those always eager to fill the silence of another’s life with the noise of their own invention — will busy themselves with the oldest and most tedious of pastimes: babbling behind backs, weaving the small, brittle fictions that seem to give such people their only true sense of importance.

 

Example 4

 

M and V — Companionship vs. the World’s Fixation with Romance

 

At our members-only-club, amid the usual drift of characters that populate such haunts, there exist two friends — M and V — whose companionship has grown into the kind of quiet legend that often provokes more surmising than admiration among those whose own lives, alas, offer little material for either.

 

M is a married man, a creature tethered to hearth and home by the solemn vows of matrimony, while V, by contrast, remains unwed, unattached, and entirely untroubled by the endemic anxieties that this station seems to provoke in the minds of lesser mortals. The two are, by all outward signs, inseparable. When M is not dutifully by the side of his wife, he is found in the company of V; and when V is not with M, his time is spent either bent to the demands of his profession or engaged in that patrician and time-honoured pastime: cricket.

 

It is inevitable — and depressingly predictable — that in a world so obsessed on the commerce of romantic entanglement, V’s bachelorhood has become a matter of urban investigation. The question, posed more often than politely warranted, is always the same, though dressed in different, often clumsy words: Why, if he is as clever and eligible as he appears, does he not have a woman dangling from his arm?

 

V, for his part, answers this crude curiosity with the consistency of a man who has long grown weary of the question. His reply, always delivered with a composure that borders on the philosophical, is that he has no hunger for the shallow sport of casual flings, and that the carnival of ornamental ‘arm candy’ — so often mistaken for romance by the contemporary world — holds no charm for him.

 

But of course, such honest straightforwardness is seldom satisfactory for a populace that has grown more concerned with projecting its own fixations upon others than minding the course of its own small and scattered lives. The mere fact that a man might choose companionship over conquest, or friendship over flirtation, seems to strike these folk as a species of heresy against the unspoken dogmas of their day — dogmas which, one suspects, they obey more out of fear than conviction.

 

V, however, is no stranger to such bigots, and, with the untroubled coolness that marks the truly free man, he often meets their prying intrusions with a reply as dry as it is disarming. When the cross-questioning grows more persistent than politeness would allow, he will quip — in a tone so light that it might almost pass for cordiality — that if they are so consumed by meddlesomeness, they are most welcome to join him for a threesome. 

 

One can hardly imagine a more fitting riposte, nor one more capable of exposing the pettifoggery of minds so eager to sift the private dust of another’s life.

 

Example 5

 

The Brothers S and B — A Study in Fraternal Love Misunderstood

 

There are two brothers, S and B, whose attachment to one another is so constant and so unshakeable that one might, with little exaggeration, describe them as firmly glued — not by the adhesive of mere habit, but by that rarer bond of genuine fraternal affection which neither time nor circumstance seems able to erode.

 

And yet — as human nature rarely fails to stoop to its lowest common denominator — it was not long before I heard, floating through the slothful air of club-room cackle and back-alley chatter, the most ludicrous and distasteful of suggestions: that S and B were, of all things, entangled in an incestuous relationship. The word itself wafted about like the sour scent of something long decayed, and those who gave it breath seemed almost to revel in the vulgarity of the thought.

 

It is at moments like these that one begins to suspect the human mind, left untrained by reason and untempered by charity, is capable of descending into an abyss from which no ladder of redemption could possibly reach. Such imaginations are not merely misled — they are, I fear, unwell. There is in this sort of talk the unmistakable scent of an illness — not of the body, but of the mind — a sickness of perception so severe that one can hardly set a boundary upon the extent of its lunacy.

 

For there are follies born of ignorance, and there are follies born of malice — but this, I think, springs from a still lower place: the barren soil of a heart so starved of decency and intellectual effort that it feeds itself on the refuse of its own distrusts.

 

On Comfortable Masculinity and the Absurdities of Suspicion

 

There are certain things I have long wished to say — and would say, if only the blockheaded multitude could be trusted to listen without falling into their customary sneers and assumed idiocies. But since silence often leaves error to multiply unchecked, I shall attempt to say it plainly, for once.

 

Let it be known: a heterosexual man, secure in the quiet fortifications of his own nature, does not shy from the company of men whose orientation differs from his own. In fact, the openly self-possessed man — the one whose identity is anchored rather than adrift — feels no tremor of anxiety in so simple a circumstance as accompanying a bisexual friend to a gay bar, or offering his time and presence in solidarity with those whose lives chart a different course. To imagine otherwise is to mistake the world for a schoolyard and the adult mind for the playbook of a child.

 

The Sameer Test: Healthy Minds Think Healthily

 

Curious to test this theory, I once put the question — a thought experiment, if you like — to Sameer, a friend of mine whose acquaintance I have been privileged to enjoy for over two decades. I asked whether, in the fertile wilds of universal imagination, he thought the closeness I share with my business partner, or the steadfast bond between the brothers S and B, could ever be misconstrued as evidence of something more salacious. Sameer, scarcely believing the question required serious answer, looked at me with the honest bewilderment of a healthy mind.

 

“Are you serious someone even thought so about all of you, bro?” he asked, with a half-laugh that belied both pity and scorn for the blabbermouths. “Man, I’ve always envied you guys. The way you’re all so closely knit. Somewhere deep down, I’ve always wanted that kind of connection with my own brothers, or with some of my old friends.”

 

And at that moment, the gospel — which I had always suspected — rang with renewed clarity: healthy minds produce healthy thoughts. Those who trade in scandal, who assign wickedness where only affection exists, reveal more about their own barren interior lives than about the people they calumny over. And to any who would suggest I only value Sameer’s opinion because it flatters me, I say this: the judgment of a wholesome mind will always outweigh the mutterings of those whose hearts are darkened by supposition. Such creatures — with their cramped imaginations and perverse fixations — are best left to deteriorate in the company of their own kind.

 

Being ‘With’ Men vs. Being ‘Into’ Men: A Clarification for the Narrow-Minded

 

It is startling, really, how many fail to grasp the humblest distinction: to be “with” men is entirely different from being “into” men. One may seek the company of brothers, friends, comrades-in-arms, without the faintest hint of erotic motive. The planet, however, in its lethargy, continues to flatten this distinction, as though human intimacy were a one-note song, incapable of expressing anything beyond the sexual. The legitimacy is both elementary and uncorrupted: if you wish to surround yourself with men, do so. If you wish to be a man’s man — not in the slangy, shallow sense, but in the olden spirit of brotherhood — then by all means, be one. The world will chatter, of course, for it has always chattered. But so long as you are clear-eyed about who you are, let the world amuse itself with its guesses. Such inquisitiveness is less a sign of interest than of an empty, farcical mind.

 

What Will People Say? Why It Should Not Matter

 

And so, to any man who finds himself pressed under the dead weight of the question — “What will people say?” — I offer the only counsel worth giving: Do not trouble yourself about the opinion of inconsequential busybodies. Their words, like dry leaves on an autumn path, are noisy but weightless. Unless you feel, in your own quiet heart, some question worth answering about yourself, pay them no heed at all.

 

Society: The Great Engineer of Stigma

 

Much of the stigma that clings, like mildew, to the broad and varied spectrum of human sexuality would dissolve altogether if people’s prying eyes were blind to it. Judgement, after all, is not born in solitude but in the shadowed corners of national consensus — that invisible court where the uninformed pass verdict on the innocent. Were it possible to silence the superficial, or to cultivate in them some fragment of reflective wisdom, these burdens would lift from many a shoulder.

 

Love Beyond Understanding: Brotherhood Needs No Apology

 

It is worth remembering, too — and worth repeating until the lesson sinks in — that two people of the same gender can love one another with all the depth and devotion of siblings, without a trace of anything the unrefined imagination so eagerly conjures. Human affection wears many faces, and the world is poorer for each one we mistrust out of ignorance. Just because a feeling lies beyond the circumference of another’s understanding does not license retribution or incredulity. And if you should ever find yourself confronted by those who cannot fathom this — the immature, the uncomprehending, the homophobic — you would do well to consign them to the category of aliens. They are, after all, strangers to both reason and love.

 

The Marital Myth: “Past the Age of Marriage? Must Be Gay!”

 

One of the most galling, and persistently misused, notions floating in the civilian ether is this: “Oh, he has passed the age of marriage. He must be gay.” Or, “They seemed such a happy couple. This talk of ‘incompatibility’ must be a smokescreen; surely he has fallen for a man, or she for a woman.” One hardly knows whether to laugh or weep at the poverty of imagination that produces such conclusions.

 

There are, in fact, countless reasons why men and women choose not to marry. Some hunger for freedom, some for space, and some simply prefer their own company over the dim compromise of an ill-suited companion. And while I wish, with all the sincerity of my heart, that the age of forced marriages — pressed upon the young by parental iron fists — were behind us, the picture is less comforting. Such coercion, alas, still flourishes. And worse yet, we lose many a bright and promising soul to these very social tyrannies, their lives reduced to quiet resignation under the encumbrance of other people’s expectations.

 

Freedom from Blether: Learning the Art of Not Caring

 

But those who have matured past the juvenile need for local approval — those fortunate few who have learned the art of not caring — walk freely through these snares, impervious to the jeers and utters. Others, less fortified, may still feel the sting of damnation. To them I offer this reminder: just as you had the courage to choose the life that suited you best, so too must you train your heart to discount the purposeless hubbub of the officious.

 

Humanity has always thrived on rumour. Trifling tongues require no proof, only the whiff of novelty — and what muckrake reveals, more often than not, is not the clandestine life of its target but the dark, unexamined corners of the speaker’s own mind.

 

Bosom Buddies and the Beauty of Living Unapologetically

 

And so, I say — live as you wish to live. Love whom you wish to love. Give not the faintest consideration to the snarls and squawks of the world’s tittle-tattle. Intimacy is the province of two souls alone — whether mental or physical — and beyond that boundary, no other opinion need ever enter. Perhaps this is why the term bosom buddies was coined in the first place: to dignify with language that great, unsentimental brotherhood of mutual loyalty and affection that neither needs nor asks for popular endorsement.

 

So I say: go forth. Find your bosom buddy, and live your life upon the terms you yourself have chosen. The world’s view is a wind — and you, sir, are a ship. Let the wind blow as it pleases.